CIRCUIT (2012, Tanatchai Bandasak, video installation, A+15)
I wish some critics write a book about the use of darkness in films/moving images, focusing on the films of Bela Tarr, Fred Kelemen, Philippe Grandrieux, Teeranit Siangsanoh, Chaloemkiat Saeyong, and Tanatchai Bandasak, exploring their obsession with darkness, how alluring the darkness in their films is, how differently they interpret the darkness, etc.
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