FOUND A CURE

ตอบคุณ LUNAR + OLIVER

--ช่วงนี้ดิฉันก็ป่วยบ่อยมากเหมือนกันค่ะ ต้องไปหาหมอถึง 5 รายในเวลาสองสัปดาห์ เริ่มจากการไปหาจักษุแพทย์ หลังจากนั้นก็ไปหาหมอระบบทางเดินหายใจ แล้วก็ไปหาหมอรักษาโรคไขข้อกระดูก ตามด้วยการไปหาหมอรักษาโรคผิวหนัง และลงท้ายด้วยจิตแพทย์ เอ๊ย ไม่ใช่ ลงท้ายด้วยการไปหาหมอในคลินิกในซอยเพราะช่วงนี้ดิฉันป่วยเป็นไข้หวัดค่ะ อย่างไรก็ดี ดิฉันชอบคุณหมอที่รักษาโรคไขข้อกระดูกมากค่ะ เขาน่ารักมาก น่าเสียดายที่เขาเก่งไปหน่อย ให้ยาดิฉันมากิน+ทาไม่กี่วันก็หายแล้ว ดิฉันก็เลยไม่มีสาเหตุให้กลับไปหาเขาอีก

ความรู้สึกของดิฉันขณะที่พบคุณหมอรักษาโรคไขข้อกระดูกสามารถแทนได้ด้วยเพลง FOUND A CURE (1998) ของ ULTRA NATE ค่ะ

http://youtube.com/watch?v=cKCVmO8iQxQ



--ได้เข้าไปดูคลิปวิดีโอ CHASING CARS ที่คุณลูน่า จังแปะไว้แล้ว พบว่ามันเป็นการตัดภาพจากหนังเกย์เรื่อง GET REAL มาประกอบกับ
เพลงๆนี้ เป็นไอเดียที่ดีมากๆเลยค่ะ

--ได้เข้าไปดูรายชื่อหนัง-สถานที่ของคุณ LUNAR แล้ว พบว่ามีหลายเรื่องที่ไม่เคยได้ยินมาก่อน อย่างเช่น

1.CAPE OF GOOD HOPE (MARK BAMFORD)
SOUTH AFRICA

CAPE OF GOOD HOPE is a colorful and vibrant mosaic of love and hope. As upbeat and heartwarming as the blockbuster hit LOVE ACTUALLY, this film beautifully connects a number of storylines, all revolving around a Cape Town animal rescue shelter. Its founder, Kate, who seems to relate better to dogs than to people, is involved with a married man, blinding her to the romantic interest of a kind veterinarian. Her receptionist, Sharifa, desperately wants to have a child and is taking extraordinary steps to do so. Meanwhile, Jean Claude, the shelter’s handyman, finds himself torn between his love for a single mother and his desire to immigrate to Canada.
http://ec3.images-amazon.com/images/P/B000G0O5HI.01._SS500_SCLZZZZZZZ_V66568273_.jpg


2.BOMBON THE DOG (2005, CARLOS SORIN)
ARGENTINA
http://thecia.com.au/reviews/b/images/bombon-poster-1.jpg

http://thecia.com.au/reviews/b/images/bombon-0.jpg


3.EMMANUEL'S GIFT (LISA LAX + NANCY STERN)
GHANA
http://www.emmanuelsgift.com/


the film chronicles the life of Emmanuel Ofosu Yeboah, a young Ghanaian man born with a severely deformed right leg, who today, against incalculable odds, is opening minds, hearts and doors-and effecting social and political change throughout his country. While Emmanuel's message is vital: people with disabilities are valuable contributors to any society, his method is inspirational. Emmanuel begins his quest with a bicycle ride, over 600 kilometers, across Ghana with one leg-and continues to spread his vision with grit and resolve.
http://ec1.images-amazon.com/images/P/B000CDSS18.01._SS500_SCLZZZZZZZ_V1138222845_.jpg


4.HOOT (WIL SCHRINER)
FLORIDA

Hoot is a classic story that is fun for all ages. When a boy and his classmates realize that a population of endangered, burrowing owls is threatened by new construction, the kids decide to take on crooked politicians and bumbling cops in the hope of saving their new friends.
http://ec3.images-amazon.com/images/P/B000GB5MH4.01._SS500_SCLZZZZZZZ_V64947431_.jpg


ตอบน้อง MATT

อิจฉาน้อง MATT อย่างมากๆเลยจ้ะที่ได้ดูหนังของ PEDRO COSTA เขาเป็นผู้กำกับคนนึงที่ดิฉันอยากดูอย่างสุดๆเลย ได้ยินชื่อของเขามานานแล้วในSENSES OF CINEMA แต่ยังไม่เคยได้มีโอกาสดูหนังของเขาสักที

ผู้ชมภาพยนตร์ทั่วโลกพากันกราบเท้า PEDRO COSTA
1.NICOLE BRENEZ กราบเท้า PEDRO COSTA
http://www.sensesofcinema.com/contents/01/18/favourite1.html#brenez


2.ADRIAN MARTIN กราบเท้า PEDRO COSTA
http://www.sensesofcinema.com/contents/festivals/01/19/rotterdam.html

The very best offering I saw in Rotterdam this year – probably the best thing I'll see all year – was another filmmaker-based documentary: Pedro Costa's Où git votre sourire enfoui? (roughly, 'where lies your hidden smile?'), a portrait of Jean-Marie Straub and Danièle Huillet (or, as the French love to say, 'the Straubs') at work, which is historically the final episode of the famous TV series Cinéma de notre temps. We saw Costa's preferred two hour cut; I cannot imagine it a second shorter. It is a film that inspires superlatives – I heard it described variously as the best film about the nuts and bolts of filmmaking, and the best documentary of its kind – but such praises, for me, fall short: it is quite simply a masterpiece, and probably the best documentary of any kind that I have ever seen.

3.MICHELLE CAREY กราบเท้า PEDRO COSTA
http://www.sensesofcinema.com/contents/festivals/06/39/vienna2005.html


Ossos (Bones) (1997) and No Quarto da Vanda (In Vanda’s Room) (2000) tell the stories of the Cape Verdians living in the Estrela d’Africa region on the outskirts of Lisbon, as far away economically and culturally as one can get from Portugal’s bourgeois milieu depicted in the films of Manoel de Oliveira. With each successive film, Costa’s style becomes more exact, more minimalist and more intimate, culminating in Vanda, an extraordinary film that for three hours places the viewer inside the cavernous bedroom of Vanda Duarte, an actress from Ossos. To enter Vanda’s room is to enter her life. Always from the same camera position, we bear witness to her never-ceasing, full-bodied coughing, drug taking, frank discussions with her sister and mother and, at times, her most personal thoughts. It is so easy to forget there is a filmmaker sitting in the room with her, alongside the camera. As with his previous two films, Costa however never once holds his characters up to be judged or pitied; unlike so many contemporary filmmakers, he observes and honours these people and not for a second ever exploits their situation of hardship.

4.SHIGEHIKO HASUMI กราบเท้า PEDRO COSTA
http://www.sensesofcinema.com/contents/05/34/world_poll2.html


Ten best films released in Japan in 2004 (in alphabetic order):
Café Lumière (Hou Hsiao-hsien, 2004)The Cat Leaves Home (Nami Iguchi, 2004)Domestic Violence 2 (Frederick Wiseman, 2002)
http://www.zipporah.com/images/films/domestic_violence_2/resized/dv2_court_room.jpg_large.jpg?1156523397

FiveIn Vanda's Room (Pedro Costa, 2000)Kill Bill Vol. 2 (Quentin Tarantino, 2004)Looney Tunes: Back in Action (Joe Dante, 2003)Take Care of My Cat (Jeong Jae-eun, 2001)A Talking Picture (Manoel de Oliveira, 2003)Notre Musique (Jean-Luc Godard, 2004)


5.JON JOST (กรี๊ดดดดด กรี๊ดดดดดด กรี๊ดดดดด) กราบเท้า PEDRO COSTA

IN VANDA'S ROOM
http://www.sensesofcinema.com/contents/01/18/favourite2.html


Shot on a single-chip DV camera, and blown to 35mm. 3 hours, a "documentary." Gorgeous to look at despite its grim subject: the daily grinding lives of a handful of heroin users in one of Lisbon's slum areas. They do what junkies do – not much but worry about the next hit, scraping papers for traces of the last one, lethargically getting through the day, shooting up. Costa neither exploits nor glamorizes nor moralizes. He simply shows in an austere style, the camera never moving in a shot; each shot leading to the next with an inner inexorable logic such that time, once you fall into the spell of the pacing, evaporates – just like it does for a junkie. He spent 3 years religiously going to shoot, carefully seeing, picking his shots, and the effect is itself religious in its respect for what exists. Of course it is shunted to off-beat sidebars of festivals, and in the case of Paris' Cinema du Reel documentary Festival, it was kicked out of competition for allegedly not being by some juror's standards a "documentary", perhaps because it is all too truthful. And artful.

6.JOHN GIANVITO กราบเท้า PEDRO COSTA
(JOHN GIANVITO คือผู้กำกับ THE MAD SONGS OF FERNANDA HUSSEIN)

อันดับหนังโปรดประจำปี 2002 ของ JOHN GIANVITO
Films viewed (in no hierarchy):
Deux (Werner Schroeter, France, 2002)
http://www.cinemah.com/neardark/index.php3?idtit=916

http://www.cinemah.com/var/deux_19.jpg

http://www.cinemah.com/var/Deuxaffiche.jpg

http://www.cinemah.com/var/deux_11.jpg

http://www.cinemah.com/var/deux_17.jpg

http://www.cinemah.com/var/deux_08.jpg


Profit and Nothing But! (Raoul Peck, France, 2001)
One Fine Spring Day (Jin-Ho Hur, Hong Kong/South Korea, 2001)
Sauvage Innocence (Philippe Garrel, France, 2001)
http://ec1.images-amazon.com/images/P/B0000CARGZ.01._SS500_SCLZZZZZZZ_V56861145_.jpg


Alambrista! (Robert M. Young, US, Revised Director's Cut, 1978-2002)
http://www.baumanngraphik.de/bilder/filmplakate_1/alambrista.jpg


From The Other Side (Chantal Akerman, France, 2002)
An Injury to One (Travis Wilkerson, US, 2002)
http://www.fotofest.org/email/documentary_still.jpg


Demons (Mario O'Hara, Philippines, 2000)
The Road (Darejan Omirbaev, Kazakhstan, 2001)
H-Story (Suwa Nobuhiro, Japan/France, 2001)
The Navigators (Ken Loach, UK, 2001)
Solitude (Robin Schlaht, Canada, 2001)
http://www.horschamp.qc.ca/new_offscreen/solitude.html
Otello (Carmelo Bene, Italy, 2002)

Favorite comedy (& favorite romance) seen in 2002:
Où gît votre sourire enfoui? (Pedro Costa, France, 2000)

7.DAISUKE AKASAKA กราบเท้า PEDRO COSTA
http://www.sensesofcinema.com/contents/top_tens/index.html


ส่วนนึงของรายชื่อหนังโปรดตลอดกาลของ DAISUKE AKASAKA
I should add too The River (Jean Renoir, 1951), On Dangerous Ground (Nicholas Ray, 1951), Our Century (Artavazd Pelechian, 1983/90), There was a Father (Yasujiro Ozu, 1942), O Sangue (Pedro Costa, 1991), Ordet (Carl Dreyer, 1954), Noroit (Jacques Rivette, 1977), Charley Varrick (Don Siegel, 1973), Kochiyama Soshun (Sadao Yamanaka, 1936), Salome (Carmelo Bene, 1972), Branded to Kill (Seijun Suzuki, 1967), Today We Live (Howard Hawks, 1933), Too Late the Hero (Robert Aldrich, 1970) ...

เว็บไซท์ของ DAISUKE AKASAKA
http://www.ncncine.com/index2.html


8.JACQUES RIVETTE อภิเชษฐ์ PEDRO COSTA
http://www.sensesofcinema.com/contents/01/16/rivette.html


Ossos (Pedro Costa, 1997)
I think it's magnificent, I think that Costa is genuinely great. It's beautiful and strong. Even if I had a hard time understanding the characters' relationships with one another. Like with Casa de lava (1994), new enigmas reveal themselves with each new viewing.