FRANKENSTIEN'S LIST

ถามคุณ FRANKENSTEIN

--ทำไมไม่ให้เกรด OPEN WATER, HELEN THE BABY FOX ล่ะคะ

หนังที่ดิฉันกับคุณแฟรงเกนสไตน์ให้เกรดตรงกันหรือใกล้เคียงกันมาก
20. Tranamerica (A+++)
21. The History of Violence (A++)
22. The Constant Gardener (A++)
23. Brokeback Mountain (A+++)
32. Home at the end of the world (A+)
36. Poseidon (B+)
37. American Splendid (A++)
39. Naked Weapon (A) 41. Down in the Valley (A)
42. Kinsey (A+)
43. My First Boyfriend (A++++++++++++++++++)
46. มหาลัยเหมืองแร่ (A+++) 49. Paradise Now (A+++)
53. เด็กหอ (A+++)
58. Sophia Scholl (A++++)
59. United93 (A++)
62. An Inconvenient Truth (A+++)
63. ด้วยเกล้า (A+++++++)
65. เฉิ่ม (A+)
66. วัยอลวน๔ (A+++)
67. The Host (A)
68. Dark Water (A++)
71. Capote (A++)
74. Prime (A++)
75. The Child (A++)
81. Heaven’s Meadow (A++++)

84. I don't want to sleep alone (A++)
85. Climates (A+)
86. Isabella (A++)
87. Silence will speak (A++)
94. The Departed (A+)
99. Me, You and Everyone We Know (A++) 102. แสบสนิท ศิษย์ส่ายหน้า (A)
103. Mysterious Skin (A++)
108. The Masseur (A+)
111. Big Bang Love, A Juvenile (A+)
112. King and the Clown (A+)
113. Broken Flower (A+++)

--favorite blog

Unspoken cinema

http://unspokencinema.blogspot.com

BLOG นี้พูดถึง CONTEMPLATIVE CINEMA ซึ่งมีลักษณะสำคัญ 4 ประการ ได้แก่

PLOTLESSNESS : no obvious (forefront) drama, no beginning, no denouement, open-ending, no drive to go forward, no major narrative gimmicks (flashback, multilayered stories), simplicity, atmospherical depiction, distanciation of protagonist(s) with background action, no imminent threat, no external forces pressuring the protagonist(s).

WORDLESSNESS : laconical interactions (or silent protagonist), no plot-drive expository filling, no psychological arguments, no voiceover, direct-sound (no score), body language.

SLOWNESS : long takes, static shots/slow camerawork, patient pace, uneventfulness (down time), "unnecessary" mundanity, uncut movements, activities filmed in their entirety, extended wait/pauses, conscience of time.

ALIENATION : disconnectedness, wandering/idleness/listlessness, solitude, fatalism, ennui/melancholy/depression, non-comformity, no intellectualized existentialism, distanciation of protagonist(s) with the world, with other characters, emptyness, empty frames, distanciation of the camera from the subject.
ตัวอย่างหนังในกลุ่ม CONTEMPLATIVE CINEMA

Damnation;
The Seventh Continent;
A scene at the sea;
Satantango;
Vive l'Amour;
Few of Us;
The River;
Mother and Son;
L'Humanite;
UNDER THE SAND;
Werckmeister harmony;
Millennium Mambo;
What time is it over there?;
Blissfully Yours;
Dolls;
Hukkle;
Japon;
Uzak/Distant;
The Brown Bunny;
Elephant;
Goodbye, Dragon Inn;
Nobody Knows;
Spring, Summer, Fall, Winter ... and Spring;
La Blessure;
Los Muertos;
Tropical Malady;
The World;
BATTLE IN HEAVAN;
Last Days;
Seven Invisible Men;
The Sun;
Colossal Youth;
Fantasma;
Flandres.

ไม่แน่ใจว่าหนังเรื่อง AFTERNOON TIME (2005, TOSSAPOL BOONSINSUKH, A++++++++++++) จะเข้าข่าย CONTEMPLATIVE CINEMA ด้วยหรือเปล่า
http://filmsick.exteen.com/20070122/afternoon-time