Showing posts with label MALAYSIA. Show all posts
Showing posts with label MALAYSIA. Show all posts

Tuesday, November 12, 2024

SNOW IN MIDSUMMER

 

บางครั้ง “สถานที่ฉาย” ก็มีอิทธิพลอย่างรุนแรงต่อ “ความรู้สึกของตัวเราที่มีต่อหนังที่ได้ดู” จริง ๆ ซึ่งกรณีล่าสุดที่เกิดขึ้นกับเราก็คือ SNOW IN MIDSUMMER (2023, Keat Aun Chong, Malaysia, A+30) ที่เราเพิ่งได้ดูในวันที่ 11 พ.ย.ที่ “CENTRAL WORLD”

 

คือถ้าหากเราไม่ได้ดูหนังเรื่องนี้ในโรงฉายที่ CENTRAL WORLD เราก็คงไม่ได้รู้สึกกับหนังเรื่องนี้แบบนี้ คือถ้าหากเราได้ดูหนังเรื่องนี้ที่โรงภาพยนตร์อื่นๆ เราก็คงชอบหนังเรื่องนี้อย่างสุด ๆ เหมือนเดิมแหละ แต่ “ความรู้สึกระหว่างที่ดูหนัง” ก็คงแตกต่างไปจากที่เรารู้สึกกับมันตอนดูที่ CENTRAL WORLD

 

คือหนังเรื่องนี้เล่าถึงเหตุการณ์เดียวกับในหนังเรื่อง THE TREE REMEMBERS (2019, Lau Kek Huat, Taiwan, about Malaysia, documentary, A+30) ที่หลายคนคงเคยดูไปแล้ว นั่นก็คือเหตุการณ์สังหารหมู่ชาวจีนในกรุงกัวลาลัมเปอร์ในปี 1969 ที่อาจจะมีผู้เสียชีวิตราว 600 คน โดยตัวหนัง SNOW IN MIDSUMMER นั้นนำเสนอทั้งเหตุการณ์สังหารหมู่ในปี 1969 และนำเสนอภาพปัจจุบันของ “สถานที่ที่เกิดเหตุการณ์สังหารหมู่” ด้วย ว่าพอเวลาผ่านมานานราว 50 ปีแล้ว สถานที่ที่เกิดเหตุการณ์สังหารหมู่มันกลายสภาพไปเป็นอะไรแล้วในยุคปัจจุบัน

 

แล้วพอเราดูหนังเรื่องนี้ในโรงภาพยนตร์ที่ CENTRAL WORLD ตอนดูหนังเราก็จะรู้สึกหลอนสุดขีดมาก ๆ น่ะ เพราะถึงแม้หนังเรื่องนี้มันไม่ได้ตั้งใจ ใจเราก็จะนึกไปถึงเหตุการณ์สังหารหมู่เสื้อแดงที่ราชประสงค์ในปี 2010 ในหลาย ๆ นาทีขณะที่เราดูหนังเรื่องนี้

 

มันเหมือนคราบเลือดที่อยู่ในจอภาพยนตร์ มันไม่ได้อยู่แค่ในจอภาพยนตร์ แต่มันอยู่ใต้เท้าของเราในขณะที่กำลังนั่งดูหนังเรื่องนี้อยู่ด้วย

 

ก็เลยรู้สึกว่าประสบการณ์การชมหนังเรื่อง SNOW IN MIDSUMMER ในโรงภาพยนตร์ที่ CENTRAL WORLD มันเป็นอะไรที่สุดขีดมาก ๆ สำหรับเรา ซึ่งถ้าหากเราได้ดูหนังเรื่องนี้ที่โรงภาพยนตร์อื่น ๆ เราก็คงไม่รู้สึกอะไรแบบนี้

Sunday, July 12, 2020

THE KLEPTOCRATS


THE KLEPTOCRATS โจราธิปไตย (2018, Sam Hobkinson, Havana Marking, UK, documentary, A+30)

1. อยากตั้ง alternative title ให้กับหนังเรื่องนี้ว่า “CRAZY RICH ASIANS ไหมล่ะมึง”

2.ชอบที่มันเหมือนเป็นการเอา “ข่าว” มาทำให้เป็นหนังที่สนุกสนานตื่นเต้น

3.ขอข้ามการพูดถึงเนื้อหาของหนังเรื่องนี้ เพราะมันดีมากๆ และหลายคนก็คงพูดถึงเนื้อหาของหนังเรื่องนี้ไปแล้ว

4.สิ่งหนึ่งที่หนังเรื่องนี้ให้กับเราก็คือว่า ก่อนหน้านี้เราแทบเคยไม่สนใจชื่อ “producers” และ “executive producers” ของหนังแต่ละเรื่องมาก่อนเลย นอกจากชื่อแบบ Jason Blum หรือ Paulo Branco หรือ Humbert Balsan อะไรพวกนี้ คือเราสนใจแต่ชื่อ producers ที่บ่งชี้ถึงคุณภาพหนัง แต่ไม่ได้สนใจ producers ที่เป็น “เศรษฐีนายทุน” มาก่อน

พอดู THE KLEPTOCRATS เราก็เลยพบว่า จริงๆแล้วชื่อ producers ของหนังแต่ละเรื่อง ก็อาจจะมีอะไรที่น่าสนใจมากซ่อนอยู่ด้วยก็ได้

เราก็เลยเริ่มต้นด้วยการดูชื่อ producers ของหนังเรื่องนี้ แล้วก็ร้องกรี๊ดด้วยจิตปฏิพัทธ์สิเน่หา 55555 เพราะหนึ่งใน executive producer ของ THE KLEPTOCRATS คือ Alex Soros บุตรชายวัย 34 ปีของ George Soros หลังจากนั้นเราก็เลยตามไปดู Facebook ของเขา พบว่าเขาเพิ่งมาเที่ยวเมืองไทยเมื่อต้นปีนี้ด้วย

สรุปดูหนังเรื่องนี้แล้วทำให้เข้าใจว่า เรามีความเป็นกะหรี่อยู่ในตัวมากเพียงใด คือนักข่าวในหนังเรื่องนี้ตามสืบหา producer ของหนังฮอลลีวู้ดเพื่อจะได้เปิดโปงการทุจริตฉ้อโกงประชาชน ส่วนดิฉันตามหาข้อมูล producer ของหนังเพราะสนใจหนุ่มๆหล่อรวย จบ 55555


Saturday, August 29, 2015

MEN WHO SAVE THE WORLD (2014, Liew Seng Tat, Malaysia, A+30)

MEN WHO SAVE THE WORLD (2014, Liew Seng Tat, Malaysia, A+30)

ชอบที่ประเด็นของหนังมันซีเรียสมาก แต่หนังกลับเลือกใช้โทนเบาสมองมากๆ คือจริงๆแล้วประเด็นของหนังมันทำให้นึกถึงหนังอย่าง “คำพิพากษา” (1989, Permpol Choei-aroon), กรณี 6 ตุลา 2519 หรือหนังอย่าง “บ้านผีปอบ” (2010, Ukrit Sa-nguanhai, A+30) ที่เกี่ยวกับการทำให้ “คนบริสุทธิ์” กลายเป็น ”ปีศาจ” ที่คนในสังคมต้องช่วยกันลุกขึ้นมาเข่นฆ่าให้หมดสิ้นไปจากผืนแผ่นดินน่ะ แต่หนังกลับเลือกใช้โทนตลกขบขันแบบหนังชุด “บ้านผีปอบ” ของไทยที่สร้างกันหลายภาค แทนที่จะใช้โทนซีเรียสจริงจัง โดยที่ความตลกของหนังไม่ได้ทำให้ประเด็นลดความจริงจังลงไปเลย เราก็เลยรู้สึกว่ามันเป็นอะไรที่น่าสนใจสุดๆ และผู้กำกับมันแน่จริงๆที่สามารถทำหนังแบบนี้ออกมาได้


หนังเรื่องนี้ทำให้เรานึกถึง THE BLUE HOUR (2015, Anucha Boonyawatana) กับ DREILEBEN: ONE MINUTE OF DARKNESS (2011, Christoph Hochhäusler, Germany, A+30) ด้วยนะ ในแง่ที่ว่า หนังทั้ง 3 เรื่องนี้มีตัวละครที่เป็น “แพะรับบาป” เหมือนๆกัน และพอตัวละครที่เป็นแพะรับบาปมองว่า การที่ตัวเองทำตัวดีงาม หรือทำตัวเป็นผู้บริสุทธิ์ต่อไปมันเป็นสิ่งที่ไม่มีประโยชน์ เพราะยังไงๆคนอื่นๆก็มองว่ามึงผิดอยู่ดี แพะรับบาปก็เลยหันมาทำผิดจริงๆไปเลย 

Saturday, October 03, 2009

VILLAGE PEOPLE RADIO SHOW IS THE WINNER

My poll 64 ended with three votes. Thanks to everyone who participated in it. Here is the result:

I LOVE THESE MALAYSIAN FILMS. WHICH ONES DO YOU LIKE?

1.VILLAGE PEOPLE RADIO SHOW (2007, Amir Muhammad)
It got 2 votes, or 66 %.

2.BEFORE WE FALL IN LOVE AGAIN (2006, James Lee)
+THE BIRD HOUSE (2006, Khoo Eng Yow)
+COMPANY OF MUSHROOMS (2005, Tan Chui Mui)
+HISTERIA (2008, James Lee)
+THE LAST COMMUNIST (2006, Amir Muhammad)
+LOVE CONQUERS ALL (2006, Tan Chui Mui)
+RAIN DOGS (2006, Ho Yuhang)
+SELL OUT! (2008, Yeo Joon Han)
+THIRD PARTY (2003, Khoo Eng Yow)
+WESTBOUND (2007, Kubhaer T. Jethwani)

Each of them got 1 vote, or 33 %.


12.ARTICLE 19 (2001, Eddie Lau)
+DANCING BELLS (2007, Deepak Kumaran Menon)
+DAYS OF THE TURQUOISE SKY (2008, Woo Ming Jin)
+DEMOLITION FROG (2001, Linus Chung Yao Fui)
+THE DINNER GUEST (1997, Bryant Low)
+FLOWER IN THE POCKET (2007, Liew Seng Tat)
+MAKYONG – PAGEANT OF THE ANCIENTS (2000, Bernard Chauly + Ho Yuhang)
+SPINNING GASING (2000, Teck Tan)
+TOTAA (2008, Akashdeep Sing)

Each of them got 0 vote.

--You can read Daniel Kasman's review of AT THE END OF DAYBREAK (2009, Ho Yuhang) here:
http://www.theauteurs.com/notebook/posts/1022

--A photo from RAIN DOGS
http://farm4.static.flickr.com/3490/3974113989_262cabde27_b.jpg

--A photo from SELL OUT!
http://farm3.static.flickr.com/2602/3974885130_ddab409af4_b.jpg

--I just watched CHOCOLATE (2009, Yasmin Ahmad, Malaysia, A+), which is only 3-minute long. You can watch it here:
http://www.youtube.com/watch?v=1HPt4Is5V50

--You can watch other short Malaysian films here:
http://15malaysia.com/films/
(I knew about it from Wise Kwai's blog http://thaifilmjournal.blogspot.com/ )

--MALAYSIAN FILM WISH LIST

1.ASTROLOGER PAK BELALANG (1959, P. Ramlee)
The whole film is available in Youtube with English subtitles. I just need to have time to watch it.
http://www.youtube.com/watch?v=F1Fk27mlJ34

2.HANG JEBAT (1961, Hussain Haniff)
http://www.youtube.com/watch?v=cZ1-GC8Lq1s

3.SRI MERSING (1961, Salleh Ghani)
http://www.youtube.com/watch?v=Cpo97P-MsNI

4.THE UNFILIAL SON (SI TANGGANG) (1961, Jamil Sulong)
The whole film is available in Youtube with English subtitles.
http://www.youtube.com/watch?v=kt0tH9f4B0E

5.EVIL PORTENT (LANCHANG KUNING) (1962, M. Amin)
http://www.youtube.com/watch?v=XF8ny-uwb-I

6.OLDER BROTHER (ABANG) (1981, Rahim Razali)
This film has English subtitles.
http://www.youtube.com/watch?v=-zDScXWHcdc

7.EVENING SKY (LANGIT PETANG) (1982, Shahrom Md. Dom)
I like the song in this clip from the film:
http://www.youtube.com/watch?v=L4kpJT4hF_k

8.MECHANIC (1983, Othman Hafsham)
http://www.youtube.com/watch?v=pxoIFk0_aSs

9.THE HEART IS NOT A CRYSTAL (1990, Raja Ahmad Alauddin)
The whole film is available in Youtube with English subtitles:
http://www.youtube.com/watch?v=liSHpu8_v28

10.WOMAN, WIFE & WHORE (1991, U-Wei Shaari)
http://www.youtube.com/watch?v=tr3SCVE699c

11.LOVE FROM SALMAH (1995, Mahadi J. Murat)
http://www.youtube.com/watch?v=GXqG33-xws8

12.EROS (2008, Wardy Azman)
This is a gay short film, but it has no English subtitles.
http://www.youtube.com/watch?v=rEvI9j5iItE

I knew about some of the films above from the article of Baharudin A. Latif in the book FILM IN SOUTH EAST ASIA: VIEWS FROM THE REGION.


Saturday, September 19, 2009

POLL 64: MALAYSIAN FILMS

My poll 64 is still inspired by Criticine (http://www.criticine.com ), a website of the late Alexis Tioseco. I used to avoid Malaysian films during film festivals, but Criticine changed my mind completely in late 2005.

I think the first Malaysian film that I saw may be DREAM PRINCESS 2 (1998, Aziz M. Osman), which I don't like at all. I saw SPINNING GASING several years later. I think the film is good, but it doesn't make me feel very enthusiastic about Malaysian cinema as a whole. It's Criticine that made me very interested in Malaysian cinema.

Some articles about Malaysian films in Criticine:
http://www.criticine.com/feature_article.php?id=17
http://www.criticine.com/feature_article.php?id=20
http://www.criticine.com/feature_article.php?id=21
http://www.criticine.com/review_article.php?id=7
http://www.criticine.com/review_article.php?id=8
http://www.criticine.com/review_article.php?id=12
http://www.criticine.com/review_article.php?id=15
http://www.criticine.com/review_article.php?id=16
http://www.criticine.com/review_article.php?id=20



I LOVE THESE MALAYSIAN FILMS. WHICH ONES DO YOU LIKE?

1.ARTICLE 19 (2001, Eddie Lau)

2.BEFORE WE FALL IN LOVE AGAIN (2006, James Lee)

3.THE BIRD HOUSE (2006, Khoo Eng Yow)
http://www.imdb.com/title/tt0887246/

4.COMPANY OF MUSHROOMS (2005, Tan Chui Mui)

5.DANCING BELLS (2007, Deepak Kumaran Menon)
http://www.imdb.com/title/tt0949869/

6.DAYS OF THE TURQUOISE SKY (2008, Woo Ming Jin)
http://www.imdb.com/title/tt0949869/
http://thaifilmjournal.blogspot.com/2008/10/bkkiff-08-capsule-reviews.html

7.DEMOLITION FROG (2001, Linus Chung Yao Fui)

8.THE DINNER GUEST (1997, Bryant Low)

9.FLOWER IN THE POCKET (2007, Liew Seng Tat)
http://www.imdb.com/title/tt0949869/

10.HISTERIA (2008, James Lee)

11.MAKYONG – PAGEANT OF THE ANCIENTS (2000, Bernard Chauly + Ho Yuhang)

12.THE LAST COMMUNIST (2006, Amir Muhammad)
http://www.criticine.com/interview_article.php?id=18
http://www.criticine.com/review_article.php?id=19
http://atrickofthelight.wordpress.com/2008/02/29/the-last-communist/

13.LOVE CONQUERS ALL (2006, Tan Chui Mui)
http://www.criticine.com/feature_article.php?id=41

14.RAIN DOGS (2006, Ho Yuhang)
http://www.criticine.com/feature_article.php?id=32

15.SELL OUT! (2008, Yeo Joon Han)
http://www.imdb.com/title/tt1286172/

16.SPINNING GASING (2000, Teck Tan)
http://www.imdb.com/title/tt0249161/

17.THIRD PARTY (2003, Khoo Eng Yow)

18.TOTAA (2008, Akashdeep Sing)

19.VILLAGE PEOPLE RADIO SHOW (2007, Amir Muhammad)
http://www.criticine.com/review_article.php?id=23

20.WESTBOUND (2007, Kubhaer T. Jethwani)

You can cast multiple votes.

Sunday, October 05, 2008

WHAT I WANT FROM "DAYS OF TURQUOISE SKY"

This is my comment in Sompotboat’s blog:
http://www.sompotboat.com/blog/?p=342

ดีใจจ้าที่ให้ MODERN LIFE ได้อันดับ 1

ส่วนตัวดิฉันนั้น อยากโดดลงคลองกับผู้กำกับหนังเรื่อง DAYS OF TURQUOISE SKY ค่ะ โฮะๆๆๆๆ (หัวเราะแบบนางแพศยาตัวจริงมาเอง)

ส่วนตัวเรานั้น ที่ให้ DAYS OF TURQUOISE SKY ได้แค่ A+/A เป็นเพราะสาเหตุสำคัญสองประการ

1.เราเชียร์ให้พระเอกได้เป็นสามีของเพื่อนบ้านสาวที่ตากผ้าอย่างไม่รู้จักหยุดจักหย่อน แต่พอเธออยากจะเป็นแม่เลี้ยงพระเอก มากกว่าอยากจะเป็นเมียพระเอก เราก็เลยผิดหวังเล็กน้อย

2.เราอยากให้พระเอกถอดเสื้อบ้างน่ะ โดยเฉพาะตอนที่เขานอน, วิดพื้น หรือฝึกชกมวย ไม่รู้จะใส่เสื้อไปทำไม นี่มันเป็นภูมิอากาศแบบ tropical นะ แต่เราไม่แน่ใจว่าเป็นเพราะข้อห้ามทางศาสนาหรือเปล่า พระเอกก็เลยแต่งตัวมิดชิดตลอดเรื่อง

ดูรูป Woo Ming-jin (ผู้กำกับ) และ Arshad Zamir ซึ่งเป็นพระเอกของ DAYS OF TURQUOISE SKY ได้ที่
http://swiftywriting.blogspot.com/2008/01/photos-from-kurus-press-conference.html

Wednesday, May 07, 2008

TEN RECOMMENDED DVDS

FAVORITE SONG

YOUR MIND IS TWISTED (THE CUBEGUYS REMIX) – Greg, Jeroenski & Roog
http://www.youtube.com/watch?v=YT4k_44Oikk

Thanks to Parichaba who recommends me this song.


-------------------------------------

This is my comment in Girish Shambu’s blog:
http://www.girishshambu.com/blog/2008/04/dvds.html

I’m sorry that some of the following DVDs are not region-1.

I just knew from Wise Kwai’s blog about some new interesting Malaysian DVDs. They are:

1.LOVE CONQUERS ALL (2006, Tan Chui Mui)

2.THREE SHORT FILMS BY TAN CHUI MUI

3.VILLAGE PEOPLE RADIO SHOW (2007, Amir Muhammad)

4.BEFORE WE FALL IN LOVE AGAIN (2006, James Lee)

I saw all these films and like them very much. You can buy these DVDs from this website:
http://www.dahuangpictures.com/shop/

Wise Kwai’s blog is here:
http://thaifilmjournal.blogspot.com/

Other DVDs which I highly recommend are Swiss films with English subtitles which can be bought from http://www.artfilm.ch/. I don’t know whether they were released long time ago or just released recently, but I love all of them.

5.NOCTURNE (2003, Riccardo Signorell)
http://www.artfilm.ch/nocturne.php?lang=e
This film shows a few days in the life of a suicidal man. The film is almost plotless. I think this film lacks ‘the intensity of life’ which is something found in some films by Louis Malle (LE FEU FOLLET), Philippe Garrel, Maurice Pialat, or Jean Eustache. However, considering this film comes from an unknown director, I think it is much better than expected.

6.CORN IN PARLIAMENT (2003, Jean Stephane Bron)
http://www.artfilm.ch/jeanstephanebron.php
This superb political documentary is sold together with other two films by Jean Stephan Bron. They are CONNU DE NOS SERVICES (1997) and LA BONNE CONDUITE (1999).

7.A LONG WINTER WITHOUT FIRE (2004, Greg Zglinski)
http://www.artfilm.ch/toutunhiversansfeu.php
Aurelien Recoing (TIME OUT) gives a great performance in this film.


There are also some old DVDs which I would like to recommend:

8.COMING HOME (2003, Andreas Kleinert, Germany)
I just found that amazon.com has this DVD with English subtitles. I haven’t seen this film, but it won a lot of awards, and I love OUT OF TIME (NEBEN DER ZEIT) (1995), which is also directed by Andreas Kleinert.
http://ecx.images-amazon.com/images/I/51HBN8QXSEL._SS500_.jpg

9.GETTING MY BROTHER LAID (2001, Sven Taddicken, Germany)
I totally love the ending of this film and EMMA’S BLISS (2006, Sven Taddicken). This DVD with English subtitle is available from amazon.com

10.ABSOLUTE WILSON (2006, Katharina Otto-Bernstein)
Last year I was fascinated by VIDEO 50 (1978, Robert Wilson), and I am glad to know that there is a documentary on Robert Wilson available as DVD from amazon.com. I haven’t seen this documentary, but I’m sure it’s interesting.
http://ecx.images-amazon.com/images/I/41YFjVnW84L._SS500_.jpg


These are images of NOCTURNE from outnow.ch:
http://outnow.ch/Media/Img/2003/Nocturne/
http://farm4.static.flickr.com/3150/2473810038_deb138d027_b.jpg
http://farm3.static.flickr.com/2369/2473810034_560b9570c4_b.jpg
http://farm4.static.flickr.com/3096/2473810032_d9a52beb63_b.jpg







Sunday, January 20, 2008

PREPARE YOURSELF FOR "BIRTH OF THE SEANEMA"

This is the film program in the 2008 BANGKOK FRINGE FESTIVAL at Patravadi Theatre. I copy this program from the brochure. For more information, visit http://www.patravaditheatre.com/

FEBRUARY 2, 2008

1300 hrs

INDONESIAN SHORT FILMS

BE QUIET, EXAM IS IN PROGRESS (2006, Ifa Ifansyah)
LOSE OR WIN (2005, Donny Prasetyo Utomo)
STILL LIFE (2006, Ariani Darmawan + Hosanna Heinrich)
TROPHY BUFFALO (2007, Vanni Jamin)


1500 hrs
LOVE CONQUERS ALL (2006, Tan Chui Mui, Malaysia)


1700 hrs

SINGAPOREAN SHORT FILMS

4 DAYS 3 NIGHTS (2007, Ming)
BLOOD TIES (2007, Chai Wee Wei)
DREAM A RAINBOW (2007, Ming)
THE MOLE (2007, Victric Thng)
REMEMBER ME (2007, Chris Chong Chan Fui)
STRANGER (Boo Junfeng & Adrian Tan)
SUNAT (2007, M. Raihan Halim)
INVISIBLE CITY (2007,Tan Pin Pin)

-----------------------

FEBRUARY 3

1300 HRS
SHORT FILMS FROM PHILIPPINES

ABCD (1985, Roxlee)
CHICKEN SOUP 2 (1998, R. A. Rivera)
IT FEELS GOOD TO BE ALIVE (2005, Antoinette Jadaone)
LINE DRAWING (1998, Poklong Anading)
A STUDY FOR ‘THE SKIES’ (1989, Raymond Red)
TAG ALONG (Antoinette Jadaone)


1500 hrs
BEFORE WE FALL IN LOVE AGAIN (2006, James Lee, Malaysia)

1700 hrs
STORIES FROM THE NORTH (2005, Uruphong Raksasad)

----------------------

FEBRUARY 16

1300 HRS
SHORT FILMS FROM MALAYSIA

POOL (2007, Chris Chong Chan Fui)
QALAM (2007, Hadi Koh)
WESTBOUND (2007, Kubhaer T. Jethwani)
A DAY IN THE LIFE (2007, Syed Omar)


1500 hrs
TULI (2006, Auraeus Solito, Philippines)

1700 hrs
BIRTH OF THE SEANEMA (2004, Sasithorn Ariyavicha, Thailand)


--------------------------

FEBRUARY 17

1300 HRS

SHORT FILMS FROM TAIWAN

SHOPPING CART BOY (2007, Hou Chi-jan)
STREET SURVIVOR (2007, Lin Jing-jie)
WATERFRONT VILLA BONITA (2007, Lou Yi-an)


1500 hrs
THE LAST COMMUNIST (2006, Amir Muhammad, Malaysia)

1700 hrs
A SHORT FILM ABOUT THE INDIO NACIONAL (2006, Raya Martin, Philippines, 96 minutes)

Tuesday, November 13, 2007

THE SOUND OF WATER DRIPPING IN THE MIDDLE OF THE NIGHT

This is my reply to Harrytuttle in my blog:
http://celinejulie.blogspot.com/2007/11/world-film-festival-bangkok-2007.html

--Yes, I like YUMURTA a lot. I think I even like YUMURTA and ANGEL’S FALL (2005, Semih Kaplanoglu) more than the three films of Nuri Bilge Ceylan that I saw—CLOUDS OF MAY, DISTANT, CLIMATES. I like Ceylan’s films very much, but the main characters in YUMURTA and ANGEL’S FALL fascinate me more than the main characters in Ceylan’s. I think the character “Yusuf” in YUMURTA is enigmatic to me. I couldn’t guess anything about him when I was watching this film. I didn’t know if he was a psycho, a man with deep secrets, a man with tortured soul, a man with a broken heart, a man with a past or without a past, etc. Kaplanoglu gave us so little information about the characters, and the characters in YUMURTA always restrain their expressions and emotions. And when I face characters like this, my imagination tends to run wild. At first I guessed some evil things would surely happen in YUMURTA, like the sexual crime and murder in ANGEL’S FALL, so I felt quite relieved when nothing evil really happens in the film.


--In my opinion, I like THINGS WE DO WHEN WE FALL IN LOVE very much, though a little bit less than BEFORE WE FALL IN LOVE AGAIN (2006, James Lee). I think BEFORE WE FALL IN LOVE again is weirder, more original, more minimalist. THINGS WE DO WHEN WE FALL IN LOVE, for the most part, is like a naturalistic film about stale love relationship. I felt great when I was watching this film, but it doesn’t make me feel as if I was watching something “new” as in the case when I was watching BEFORE WE FALL IN LOVE AGAIN.

One reason why I love both films very much is because these two films seem to portray love or relationship in a bad way. After I saw these two films, it’s hard for me to believe in love, the eternity of love, the sincerity of love, or something like that. These two films seem to portray the other side of love relationship, the side which most romantic films intend to ignore.

My most favorite scene in THINGS WE DO is the scene in which the main couple was sleeping in a bed, then the woman (if I don’t remember it wrongly) woke up and seemed to be troubled by the sound of water dripping in the bathroom. I don’t know if this scene symbolizes anything or not. This scene is surely not important at all to the plot of the film, but I like this scene very much because it seems like a small detail in our daily life, but this small detail in life is rarely portrayed in films.

Though most parts of THINGS WE DO are as naturalistic as French films about human relationships, there are two unnaturalistic scenes in this film which are very interesting to me. First, it is the scene in which the hero suddenly found himself wandering in a barren landscape. The use of surreal barren landscape in this scene somehow reminds me of some Indonesian films of Faozan Rizal. The second scene is the scene in which the hero danced in front of his car. This scene reminds me of some stupid Thai films in the 1980’s. If this scene appeared in old Thai films, I would have thought the scene was very ugly and stupid. But when this scene appears in this film and seems to be totally different from other scenes in the film, I think I like this scene for its craziness.


--You can see the photos from THINGS WE DO WHEN WE FALL IN LOVE here:
http://www.flickr.com/photos/doghouse73pictures/sets/72157594510575195/

Friday, November 02, 2007

THINGS WE DO WHEN WE FALL IN LOVE (2007, JAMES LEE, A+)

This is my comment in Bioscope Webboard:
http://www.bioscopemagazine.com/smf/index.php?topic=678.30


FILMS SEEN ON THURSDAY 1 NOVEMBER 2007

1.PHANTOM LOVE (2007, Nina Menkes, A+)

I decided to watch this film for the second time, and it never makes me feel bored.


2.THINGS WE DO WHEN WE FALL IN LOVE (2007, James Lee, Malaysia, A+)

I like the naturalness in this film, though I prefer the unnaturalness in BEFORE WE FALL IN LOVE AGAIN (James Lee, A+)


3.THE SONGS OF EH DOH SHI (2007, Supamok Silarak, Thailand, A)

This film portrays the refugees’ plight very powerfully, and without sentimentality.


4.881 (2007, Royston Tan, Singapore, B+)

I like some ideas in this film very much, though I feel detached from the overall feelings in this film.


MY FEELINGS:

--One funny coincidence in VILLAGE PEOPLE RADIO SHOW is that the names of some main characters resemble the names of the important people in the Thai arthouse film circuit—Chalida, Pimpaka, Uruphong, Panu.



ตอบคุณ FILMSICK

สัตว์อีกตัวที่ปรากฏกายใน PHANTOM LOVE คือม้าสีขาวค่ะ

Thursday, November 01, 2007

VILLAGE PEOPLE RADIO SHOW (2007, AMIR MUHAMMAD, A+++++)

THIS IS MY COMMENT IN BIOSCOPE WEBBOARD:
http://www.bioscopemagazine.com/smf/index.php?topic=678.0


--This is the schedule for the Bangkok Theatre Festival 2007
http://www.lakorn.org/download/scheduleBTF2007.pdf


FILMS SEEN ON WEDNESDAY 31 OCT 2007

1.VILLAGE PEOPLE RADIO SHOW (2007, Amir Muhammad, Malaysia, A+)

What I like very much in this film include:

1.1 The “ordinary life” images which are never boring to me but never capture too much attention. I’m glad that this film never inserts any historical footage into the film.

1.2 The images and the voiceover don’t usually match each other, and that what keeps me awake. I think I would fall asleep or half asleep if the images and the voiceover always match each other.

1.3 The story about the detached son of one of the communists.

1.4 Somehow this film reminds me of what happened frequently in the history of the world and some fighters who lost their fight. This film also reminds me of BERTOLT BRECHT’S LAST SUMMER (2000, Jan Schutte, Germany, A++++++++++), because both films don’t talk only about politics, but also about “life” and the what’s left in life after the political turmoil.
http://ecx.images-amazon.com/images/I/51D6SF2VBTL._SS500_.jpg

Leslie Camhi wrote a great review of BERTOLT BRECHT’S LAST SUMMER in http://www.villagevoice.com/ and I think that some sentences in the review can be applied to VILLAGE PEOPLE RADIO SHOW, too.
http://www.villagevoice.com/film/0203,camhi,31484,20.html

“Now that the very state whose existence he toiled for has itself become a phantom, Schutte's film (aided by John Cale's pensive score) focuses on the small moments punctuating a lazy summer afternoon: a lover's embrace, a passing cloud, a poem recited by a schoolchild. They are what remains, it seems to suggest, in a life's final hours, when all ideals and bitterness are gone.”




2.WHO CAN KILL A CHILD? (1976, Narciso Ibanez Serrador, Spain, A+)
http://www.imdb.com/title/tt0075462/

I saw it from DVD. One of the most interesting things in the film is that the story of this film happened in the imaginary world in which Thailand was successfully invaded by communists and the fall of Thailand would lead to all of Asia being controlled by communists. I had never imagined that a filmmaker in Spain would be so interested in the communist invasion in Thailand that he put this topic into his film.


3.HELP ME EROS (2007, Lee Kang-sheng, Taiwan, A)

I think this film is never boring, but it seems to leave no lasting effect on me.


4.THE BAND’S VISIT (2007, Eran Kolirin, Israel, A)

I think this film is very nice. But it doesn’t affect me extremely strongly.


5.MOTHER OF MINE (2005, Klaus Haro, Finland, A-)

At first I would like to give this film “A”, but when I saw the scene in which Signe ran after the car of her foster son, I decided to give it
“A-“.


LIST OF FILMS I SAW IN THE FIRST SIX DAYS IN THE WORLD FILM FESTIVAL OF BANGKOK 2007

IN PREFERENTIAL ORDER

1.PHANTOM LOVE (2007, Nina Menkes, A+)


2.EGG (YUMURTA) (2007, Semih Kaplanoglu, Turkey, A+)


3.FALLEN (2005, Fred Kelemen, Latvia, A+)


4.VILLAGE PEOPLE RADIO SHOW (2007, Amir Muhammad, Malaysia, A+)


5.THE CALIFORNIA (2006, Jacques Fieschi, A+)


6.SAVIOUR’S SQUARE (2006, Joanna Kos + Krzysztof Krauze, Poland, A+)


7.DEMENTED (2006, Laurent Achard, France, A+)


8.BAMAKO (2006, Abderrahmane Sissako, Mali, A+)


9.ANTONIA’S LINE (1995, Marleen Gorris, A+)


10.IMPORT EXPORT (2007, Ulrich Seidl, Austria, A+)


11.JELLYFISH (2007, Israel, Shira Geffen + Etgar Keret, A+/A)


12.HELP ME EROS (2007, Lee Kang-sheng, Taiwan, A)


13.STEVE + SKY (2004, Felix Van Groeningen, Belgium, A)


14.SALMONBERRIES (1991, Percy Adlon, A)


15.THE BAND’S VISIT (2007, Eran Kolirin, Israel, A)


16.FLOWER IN THE POCKET (2007, Liew Seng Tat, Malaysia, A/A-)


17.THE MOSQUITO PROBLEM AND OTHER STORIES (2007, Andrey Paounov, Bulgaria, A-)


18.MOTHER OF MINE (2005, Klaus Haro, Finland, A-)


19.DALLAS AMONG US (2005, Robert Adrian Pejo, Hungary, A-/B+)


20.FOREVER AND EVER (2001, Raymond To, B+)


21.THE QUEEN OF SHEBA’S PEARLS (2004, Colin Nutley, Sweden, B+)


22.AND IF TOMORROW (2005, Giovanni La Parola, Italy, B)


23.MISS PHYLLIS (2004, Clemens M. Schonborn, Austria, B)


24.IT WILL STAY BETWEEN US (2004, Miro Sindelka, C-)


ตอบน้อง NANOGUY

สิ่งที่พี่รู้สึกว่าไม่จำเป็นมากที่สุดใน VILLAGE PEOPLE RADIO SHOW ก็คือภาพอะไรไหวๆ เหมือนกัน อย่างไรก็ดี เทคนิคการคั่นจังหวะหนังเป็นช่วงๆด้วยภาพอะไรบางอย่างที่ดูเหมือนไม่จำเป็นแบบนี้ ทำให้นึกถึงหนังสองเรื่องของ ALAIN RESNAIS ซึ่งก็คือเรื่อง SAME OLD SONG (1997, A+) กับ LOVE UNTO DEATH (1984) ที่หนังจะถูกคั่นจังหวะด้วยภาพสัตว์ทะเลหรืออะไรสักอย่าง ซึ่งพี่ก็ดูไม่ออกเหมือนกันว่าเป็นตัวอะไร


ตอบคุณ YUTTIPUNG

ถ้าหากชอบหนังที่มีการถ่ายภาพบุคคลต่างๆอย่างเลือดเย็นอย่าง IMPORT EXPORT ก็ขอแนะนำว่าไม่ควรพลาดดีวีดีภาพยนตร์สารคดีรัสเซียเรื่อง PALMS (1993, Artur Aristakisyan, A++++++++++) ด้วยประการทั้งปวงค่ะ หนังสารคดีเรื่อง PALMS นำเสนอชีวิตคนจนในอดีตสหภาพโซเวียตได้อย่างทรงพลังมากๆ

หรือถ้าหากชอบหนังที่นำเสนอภาพชีวิตบัดซบของคนแก่ในโรงพยาบาล ก็ขอแนะนำให้ดูเรื่อง A PROMISE (1986, Yoshishige Yoshida, A++++++++++) ค่ะ หนังญี่ปุ่นเรื่องนี้มาฉายที่ JAPAN FOUNDATION ถ.อโศกเป็นประจำ


ตอบน้อง merveillesxx

เราชอบ DEMENTED มากเลยนะ แต่จุดนึงที่อาจจะทำให้ DEMENTED ไม่ติด TOP 5 ของเราในเทศกาลนี้ เป็นเพราะเรารู้สึกว่าแต่ละฉากมันผ่านการคำนวณมาเป็นอย่างดีแล้วว่าต้องการให้ผู้ชมรู้สึกรุนแรงอะไรบางอย่างกับฉากนั้นน่ะ ซึ่งจุดนี้แตกต่างกับ EGG หรือ VILLAGE PEOPLE RADIO SHOW ที่มันทำให้เรารู้สึกว่า ผู้กำกับเขาไม่ได้พยายามบีบคั้นให้เรารู้สึกรุนแรงกับแต่ละฉากในหนัง




Sunday, September 30, 2007

TIME CHANGES FONDNESS OF FILMS

This is my comment in Jesse's blog:
http://memoriesofthefuture.wordpress.com/2007/09/24/last-batch-of-tiff-capsule-reviews/

What you wrote about BEFORE I FORGET (2007, Jacques Nolot) in DVD Verdict makes this film seem very interesting for me. You wrote that
http://www.dvdverdict.com/judgeblog/jataide/post/1541

"A film more fascinating to ponder after the fact than while actually watching, I walked out of the screening not liking it much, but my feelings have become much more favorable in the days that have since passed."


I haven't seen any films by Jacques Nolot, but your description intrigues me. I would like to have this kind of experience—seeing a film for which my fondness keeps growing stronger after watching it.

Talking about the experience of liking the film during or after watching it, I would like to share my own experience.

1.Many times I see a film which excites me very much when I'm watching it, but my excitement fades away very quickly after that. Most of the films in this category are Hollywood thriller films.

2.Sometimes I saw a film which I thought was just ok, but after a few years, I have a chance to see it again, and now think that it is truly great or a masterpiece. I think this kind of films demands that the viewers must have had some kind of life experience before the viewers can truly enjoy it or understand its greatness. I have this kind of feelings with the films of Maurice Pialat and Claude Sautet.

3.Sometimes I see a film which I don't enjoy in the early part, because the film seems to be in a different wavelenght from mine. But after a while it seems as if my wavelength is attuned to the film, and then I start to feel the film is very very great. I had this rare experience when I was watching THE BIRTH OF LOVE (1993, Philippe Garrel, A+). It was the first Garrel's film that I saw.

4.Sometimes I saw a film from a certain director for the first time and didn't enjoy it much because the styles of the film is not what I'm accustomed to. But after a few years, I see another film by the same director and fall in love with it completely. I guess this kind of thing happens to me because now I know what to expect of that director when I see his/her second film, and thus can attune my wavelength to the films of that director. I have this kind of experience with the films of James Lee (from Malaysia) and Youssef Chahine.


5.As for your experience with BEFORE I FORGET, it reminds me of the feelings I have with CALM PREVAILS OVER THE COUNTRY (1976, Peter Lilienthal, West Germany, A+). I saw it the first time in 1996 or 1997, when I hadn't seen many European films yet. I didn't like it at all during the time I was watching it. The film is no entertainment, no-nonsense, without an ounce of sentimentality. I couldn't follow the story. The film is truly uncompromising. I think I gave it C+ after I just finished watching it. But after a while, I found that I couldn't shake this film out of my mind. I think this kind of film makes me truly grow as a filmlover. It really broadens my viewing experience. It really makes me feel that I have experience something "new".

However, I saw DAVID (1979, A+), another film by Peter Lilienthal, and it is a straightforward, though well-done, film. So I don't know if other films by Lilienthal would be like. I hope I can see CALM PREVAILS OVER THE COUNTRY again.

Monday, September 24, 2007

POLITICAL GHOST FILMS

This is a part of an e-mail I sent to someone:


--I have seen only two feature films by James Lee—THE BEAUTIFUL WASHING MACHINE (B+) and BEFORE WE FALL IN LOVE AGAIN (2006, A+). I’m not sure if he’s a great director or not, but I think he’s a very interesting director, because his films has some distinct styles of his own. In my opinion, BEFORE WE FALL IN LOVE AGAIN seems like an antithesis of romantic Korean films. BEFORE WE FALL IN LOVE AGAIN share many elements with normal romantic films—handsome actor, very good male character, love triangle, some humour—but turns out to convey the opposite feelings of normal romantic films. I think one reason why l love this film very much is because I normally hate romantic films. BEFORE WE FALL IN LOVE AGAIN presents love life as very un-romantic, boring, and fake. And that’s what I like about this film.

Another reason why I like BEFORE WE FALL IN LOVE AGAIN very much is its lack of romantic music soundtracks. After seeing this film, I found that I couldn’t bear the use of mood-buidling soundtracks in many films I saw later. BEFORE WE FALL IN LOVE AGAIN has made me understand the fake feelings created by that kind of soundtracks.

--I have seen DORM (2006, Songyos Sugmakanan, A+), but I haven’t seen THE DEVIL’S BACKBONE. I like DORM very much, because it turns out not to be a horror film. In fact, I like some Thai films which are about ghosts, but the films are not standard horrors.

Some films in this sub-category

1.DORM

2.THE BANGKOK BOURGEOIS PARTY (2007, Prap Boonpan, A+++++)

This film is about some bourgeois people who kill a Thai person who has different political opinions from them. The dead person became a ghost and keeps haunting those bourgeois people. This is not a horror film, but this film makes me feel the most scared in my life, because this film seems to anticipate some civil wars which might happen in Thailand in the near future. In my opinion, the ghost in this film functions as the good conscience of those Thai bourgeois people. Those Thai bourgeois people can live their happy lives only when they can get rid of the good conscience in them. They must forget the suffering of the poor and the oppressed in order to live happily.


3.KHON HEW HUA (2007, Ping Lumpraploeng, A)

This is a story of a man who was beheaded, but refuses to die until he can make his wife and son live happily. It's a comedy, but I think Ping Lumpraploeng makes comedies like no other persons. Many people hate his films, but I like them.


4.COLIC: DEK HEN PEE (2006, Patchanon Thammajira, A+)

This might be a standard horror film, but it dares to talk about an important political event in the past which most Thai films dare not talk about.

Thursday, August 16, 2007

IN PRAISE OF SOUTH AFRICAN AND MALAYSIAN FILMS

THIS IS MY COMMENT IN GIRISH SHAMBU’S BLOG:
http://www.girishshambu.com/blog/2007/08/undistributedantonioni.html

I have seen only one film starring Lucia Bose. It is NATHALIE GRANGER (1972, Marguerite Duras). I like her in this film a lot. Both Lucia Bose and Jeanne Moreau seem to have some kind of mysterious aura around them in this film. There’s nothing supernatural happening in this extremely slow film, but somehow the presence of these two women and the atmosphere in the film seem to make ordinary world look mysterious and supernatural. That’s just my feeling, though. One of my friends also said Bose and Moreau look like witches or vampires in NATHALIE GRANGER. Bose also starred in many horror films.

One film of Bose that I would like to see very much is DEATH OF A CYCLIST (1955, Juan Antonio Bardem). I have heard that Juan Antonio Bardem and Luis Garcia Berlanga were very interesting Spanish directors. But their films are hard to find at the moment, at least in Bangkok.

I like Kiyoshi Kurosawa, too. But I have different opinions from my Thai friends because my friends seem to hate some recent films of his, but I like BUG’S HOUSE (2005) and DOPPELGANGER (2003) very much.

I also like FORGIVENESS very much. This film also makes me realize how talented Arnold Vosloo (the leading actor) is. Before I saw FORGIVENESS, I only knew him from THE MUMMY series. I think Arnold Vosloo is one of many foreign actors who should be given much more interesting roles to play in Hollywood films. Other great foreign actors who seem to waste their talents in Hollywood films include David Wenham in films like VAN HELSING, Katja Riemann in films like BLOOD AND CHOCOLATE, and Edison Chen in THE GRUDGE 2. But if I look at it in another way, I think it might be good that these foreign actors have a chance to show their faces for a few seconds in Hollywood films, if they still have time to continue doing good films in their countries.

Speaking of FORGIVENESS, I would like to add that last year I was crazy for South African films. I saw some South African films that I like very much. They are MEN OF GOLD (2006, Vincent Moloi), THE HEART OF WHITENESS (2006, Rehad Desai), DIFFERENT PIGMENT (2006, Omelga Mthiyane), WHITE MAN’S DOG (2006, Sipho Singiswa), and THE WOODEN CAMERA (2003, Ntshaveni Wa Luruli). All of them, except THE WOODEN CAMERA, are documentaries. Film about South Africa which I would like to see very much is DUST (1985, Marion Hansel), which is adapted from J.M. Coetzee’s novel.

As for this year, I think I am crazy for Malaysian films, especially the ones directed by Tan Chui Mui, Ho Yuhang, James Lee, and Khoo Eng Yow. Some of my friends call these films pretentious or fake. But I think I always enjoy films which are labeled ‘pretentious’ by others.

Monday, July 30, 2007

AN INCONVENIENCE IN A HAPPY PARTY (2007, PRAP BOONPAN, A+++++)

FILMS SEEN ON FRIDAY 27 JULY 2007

1.LOVE CONQUERS ALL (2006, Tan Chui Mui, Malaysia, A++++++++++)
http://www.imdb.com/title/tt0877347/
This film helps me overcome some unnecessary desires.


2.PINGPONG (2006, Matthias Ludhardt, Germany, A+)
http://www.imdb.com/title/tt0800159/
This film makes me think about something I did in the past: using somebody as a tool to respond to another person.


3.SHORTBUS (2006, John Cameron Mitchell, A+)
Boss from Screenout Webboard gave an interesting comment on this film. He said that this film is not actually about sex, but it’s about how people connect to one another.

The opening shot of this film which shows the view of New York from above reminds me of the opening shot in PRIVATE FEARS IN PUBLIC PLACES (2006, Alain Resnais, A+). Both films also deal with lonely souls.


4.SUELY IN THE SKY (2006, Karim Ainouz, Brazil, A+)
I like the songs used in this film very much.

5.THE BET COLLECTOR (2006, Jeffrey Jeturian, Philippines, A+/A)
http://www.imdb.com/name/nm0422357/
I like the protagonist in this film very much. The ending is quite good and makes me think about the fortunate and unfortunate events in life.



FILMS SEEN ON SATURDAY 28 JULY 2007

1.GRINDHOUSE: PLANET TERROR (2007, Robert Rodriguez, A+)
I like the twin sisters in this film very much.


2.BELLE TOUJOURS (2006, Manoel de Oliveira, Portugal, A+)
http://www.imdb.com/title/tt0475224/
There are many things I like in this movie, including the old woman who yearns for the handsome barman.


3.URANYA (2006, Costas Kapakas, Greece, A+)
http://www.imdb.com/title/tt0863041/
I like the ending of this film very much. It’s a happy ending, but it is not too sentimental.


4.THE BEST OF TIMES (2002, Chang Tso-Chi, Taiwan, A+/A)
I like the location of this film very much, and I like that this film does not actually affirms family values, but it shows many bad things people in the same family can do to each other.


5.LUXURY CAR (2006, Wang Chao, China, A)
http://www.imdb.com/title/tt0810954/
This film makes me think that the life in China tends to resemble more and more the life in Hong Kong in the past. The violence in the story of this film is not shown graphically, but it is very effective.


6.BEYOND THE CALL (2006, Adrian Belic, A)
http://www.imdb.com/title/tt0799941/
I hope this film will inspire people to do good things.



THE WHOLE RANKINGS FOR THINGS SEEN BETWEEN JULY 20-JULY 28 2007

In meaninglessly preferential order

1.CRY IN SILENCE (2006, J. G. Biggs, A+)

2.LOOK OF LOVE (2006, Yoshiharu Ueoka, Japan, A+)

3.LOVE CONQUERS ALL (2006, Tan Chui Mui, Malaysia, A+)

4.DREAMS (2005, Mohamed Al Daradji, Iraq, A+)

5.A WANDERING BRIDE (2006, Ana Katz, Argentina, A+)

6.BEFORE WE FALL IN LOVE AGAIN (2006, James Lee, Malaysia, A+)

7.PINGPONG (2006, Matthias Ludhardt, Germany, A+)

8.THE BIRD HOUSE (2006, Khoo Eng Yow, Malaysia, A+)

9.HUNT ANGELS (2006, Alec Morgan, Australia, A+)

10.OUR DAILY BREAD (2005, Nikolaus Geyrhalter, Austria, A+)

11.BLED NUMBER ONE (2006, Rabah Ameur-Zaimeche, Algeria, A+)

12.THE HOME SONG STORIES (2007, Tony Ayres, Australia, A+)

13.SHORTBUS (2006, John Cameron Mitchell, A+)

14.TO BE TWENTY (1978, Fernando Di Leo, Italy, A+)Outside Festival

15.THE MARK OF CAIN (2007, Marc Munden, A+)

16.GRINDHOUSE: PLANET TERROR (2007, Robert Rodriguez, A+)
Outside festival

17.FRAULEIN (2006, Andrea Staka, Switzerland, A+)

18.MANORO (2006, Brillante Mendoza, Philippines, A+)

19.BELLE TOUJOURS (2006, Manoel de Oliveira, Portugal, A+)

20.BEAUFORT (2007, Joseph Cedar, Israel, A+)

21.SUELY IN THE SKY (2006, Karim Ainouz, Brazil, A+)


22.URANYA (2006, Costas Kapakas, Greece, A+)


23.THE BET COLLECTOR (2006, Jeffrey Jeturian, Philippines, A+/A)


24.WHITE PALMS (2006, Szabolcs Hajdu, Hungary, A+/A)

25.THE GO MASTER (2006, Tian Zhuangzhuang, A+/A)

26.THE BEST OF TIMES (2002, Chang Tso-Chi, Taiwan, A+/A)
Outside festival

27.TURISTAS (2006, John Stockwell, A+/A)Outside Festival

28.THIS IS ENGLAND (2006, Shane Meadows, A)

29.SANKARA (2006, Prasanna Jayakody, Sri Lanka, A)

30.MORE THAN ANYTHING IN THE WORLD (2006, Andres Leon Becker + Javier Solar, Mexico, A)

31.VANAJA (2006, Rajnesh Domalpalli, India, A)

32.ESSENCES INSENSEES: ART AND PERFUME EXHIBITION (A)
Outside Festival

33.CATS OF MIRIKITANI (2006, Linda Hattendorf, A)

34.DANCING BELLS (2007, Deepak Kumaran Menon, Malaysia, A)

35.ANGEL (2007, Francois Ozon, A)


36.LUXURY CAR (2006, Wang Chao, China, A)

37.BEYOND THE CALL (2006, Adrian Belic, A)

38.ABDUCTION: THE MEGUMI YOKOTA STORY (2006, Patty Kim + Chris Sheridan, A)

39.EXILED (2006, Johnnie To, A)

40.DONSOL (2006, Adolfo Alix Jr., Philippines, A)

41.OUT OF BOUNDS (2005, Alexandre Leborgne + Pierre Barougier, A-)

42.YOUNGER AND YOUNGER (1993, Percy Adlon, A-)Outside Festival

43.PERFECT STRANGER (2007, James Foley, A-)Outside Festival

44.CHILDREN OF GLORY (2006, Krisztina Goda, Hungary, A-/B+)

45.KUNG FU TOOTSIE (2007, Jaturong Mokjok, Thailand, B+)Outside Festival


--In summary, this is the most satisfying international film festival I have ever experienced. The films shown are exactly what I love. I encountered almost no problems in the festival. Everything is nearly perfect for me in this festival. I would like to thank the organizers and everyone involved in this festival for making me feel as if I was in heaven.


--On Sunday I also went to see many Thai short films. There are many films that I like, including NGAN LUKLUN NAI NGAN RUENREANG (I think the title of this film can be translated as AN INCONVENIENCE IN A HAPPY PARTY), which deals with a group of people talking about political problems in Thailand.

AN INCONVENIENCE IN A HAPPY PARTY (2007, Prap Boonpan, A++++++++++), in my very personal point of view, is one of the most important Thai films ever made. It is one of the most daring Thai films I have ever seen. Seeing this film makes me feel as if I was slapped in the face 30 times, but what is more important is that it makes me feel I truly deserve this punishment. It’s a film which makes me feel ashamed of myself, makes me feel guilty. It is passionate, thought-provoking, sincere, straightforward, uncompromising, and fearless. This film is what Thailand really needs right now.


A photo from LOVE CONQUERS ALL
http://farm2.static.flickr.com/1110/947798734_01da618bf9_o.jpg




Thursday, July 26, 2007

LOOK OF LOVE (2006, YOSHIHARU UEOKA, A+++++)

FILMS SEEN ON TUESDAY 24 JULY 2007


1.BEFORE WE FALL IN LOVE AGAIN (2006, James Lee, Malaysia, A+++++)
http://www.imdb.com/title/tt0877327/

2.THE HOME SONG STORIES (2007, Tony Ayres, Australia, A+)
http://www.imdb.com/title/tt0452631/

3.THIS IS ENGLAND (2006, Shane Meadows, A)
http://www.imdb.com/title/tt0480025/

4.SANKARA (2006, Prasanna Jayakody, Sri Lanka, A)
http://www.imdb.com/title/tt1058748/

5.YOUNGER AND YOUNGER (1993, Percy Adlon, A-)
From VCD



FILMS SEEN ON WEDNESDAY 25 JULY 2007

1.LOOK OF LOVE (2006, Yoshiharu Ueoka, Japan, A++++++++++)
http://www.bangkokfilm.org/en/films/film_detail.aspx?searchby=title&id=F07071

2.TO BE TWENTY (1978, Fernando Di Leo, Italy, A+)
From DVD
http://www.imdb.com/title/tt0077191/

3.CATS OF MIRIKITANI (2006, Linda Hattendorf, A)
http://www.imdb.com/title/tt0799976/

4.DANCING BELLS (2007, Deepak Kumaran Menon, Malaysia, A)
http://www.imdb.com/title/tt0949869/

5.ANGEL (2007, Francois Ozon, A)
http://www.imdb.com/title/tt0783767/



THE WHOLE RANKINGS FOR THINGS SEEN FROM 20-25 JULY 2007

IN PREFERENTIAL ORDER

1.CRY IN SILENCE (2006, J. G. Biggs, A+)
This film is like an unblinking look at hell.

2.LOOK OF LOVE (2006, Yoshiharu Ueoka, Japan, A+)
This film makes me laugh the most since I saw WHAT HAPPENED TO MAGDALENA JUNG (1983, Christoph Schlingensief, Germany, A+) late last year.

3.BEFORE WE FALL IN LOVE AGAIN (2006, James Lee, Malaysia, A+)
I like the unnaturalness and unromanticness of this film very much.


4.A WANDERING BRIDE (2006, Ana Katz, Argentina, A+)
I feel as if I was the protagonist of this film.

5.THE BIRD HOUSE (2006, Khoo Eng Yow, Malaysia, A+)
I like the relationship between brothers in this film very much.

6.HUNT ANGELS (2006, Alec Morgan, Australia, A+)
This film reminds me of Guy Maddin.

7.OUR DAILY BREAD (2005, Nikolaus Geyrhalter, Austria, A+)
I like the mine scene in this film very much.

8.BLED NUMBER ONE (2006, Rabah Ameur-Zaimeche, Algeria, A+)
What touches me the most is the plight of women in this film.


9.THE HOME SONG STORIES (2007, Tony Ayres, Australia, A+)
This film makes me cry the most in the festival. What makes me cry is not the relationship between mother and son, but how the son chose to call someone “father”.

10.TO BE TWENTY (1978, Fernando Di Leo, Italy, A+)
Outside Festival

11.THE MARK OF CAIN (2007, Marc Munden, A+)
This film reminds me of something happening in the south of Thailand.

12.FRAULEIN (2006, Andrea Staka, Switzerland, A+)

13.THE GO MASTER (2006, Tian Zhuangzhuang, A+/A)

14TURISTAS (2006, John Stockwell, A+/A)
Outside Festival


15.THIS IS ENGLAND (2006, Shane Meadows, A)

16.SANKARA (2006, Prasanna Jayakody, Sri Lanka, A)

17.MORE THAN ANYTHING IN THE WORLD (2006, Andres Leon Becker + Javier Solar, Mexico, A)

18.VANAJA (2006, Rajnesh Domalpalli, India, A)

19.ESSENCES INSENSEES: ART AND PERFUME EXHIBITION (A)Outside Festival


20.CATS OF MIRIKITANI (2006, Linda Hattendorf, A)


21.DANCING BELLS (2007, Deepak Kumaran Menon, Malaysia, A)


22.ANGEL (2007, Francois Ozon, A)

23.ABDUCTION: THE MEGUMI YOKOTA STORY (2006, Patty Kim + Chris Sheridan, A)

24.EXILED (2006, Johnnie To, A)


25.DONSOL (2006, Adolfo Alix Jr., Philippines, A)


26.OUT OF BOUNDS (2005, Alexandre Leborgne + Pierre Barougier, A-)


27.YOUNGER AND YOUNGER (1993, Percy Adlon, A-)
Outside Festival

28.PERFECT STRANGER (2007, James Foley, A-)
Outside Festival

29.CHILDREN OF GLORY (2006, Krisztina Goda, Hungary, A-/B+)

30.KUNG FU TOOTSIE (2007, Jaturong Mokjok, Thailand, B+)
Outside Festival

Monday, July 23, 2007

THE BIRD HOUSE (2006, KHOO ENG YOW, A+++++)

THINGS I SAW ON SUNDAY 22 JULY 2007

1.THE BIRD HOUSE (2006, Khoo Eng Yow, Malaysia, A+++++)
http://www.imdb.com/title/tt0887246/


2.ESSENCES INSENSEES: ART AND PERFUME EXHIBITION (A)

This exhibition is held at Gaysorn Plaza. It is a three-step exhibiton. First, thirteen perfumers were asked to create perfumes. Then artists were asked to create perfume flasks for each perfume. Then Thai designers were asked to create clothes inspired by each perfume flask.
http://www.lafete-bangkok.com/essences_insensees.html

Below are some perfume flasks shown in this exhibition.
In preferential order
http://farm2.static.flickr.com/1278/874178122_96cf1e883c_o.jpg
http://farm2.static.flickr.com/1144/874178126_b459a75153_o.jpg
http://farm2.static.flickr.com/1018/874178090_9204e553fe_o.jpg
http://farm2.static.flickr.com/1017/874178116_0bc5aa7332_o.jpg
http://farm2.static.flickr.com/1303/874178100_23170be552_o.jpg
http://farm2.static.flickr.com/1043/874178158_e1dbcc4eb5_o.jpg


3.ABDUCTION: THE MEGUMI YOKOTA STORY (2006, Patty Kim + Chris Sheridan, A)
http://www.imdb.com/title/tt0495060/


4.OUT OF BOUNDS (2005, Alexandre Leborgne + Pierre Barougier, A-)
Documentary
http://www.filmfestival.gr/docfestival/2007/index.php?page=filmdetails&ln=en&box=tributes&id=523


5.CHILDREN OF GLORY (2006, Krisztina Goda, Hungary, A-/B+)
http://www.imdb.com/title/tt0486219/

-----------------------------------------------------

MY WHOLE RANKINGS FOR 20-22 JULY 2007

IN PREFERENTIAL ORDER

1.A WANDERING BRIDE (2006, Ana Katz, Argentina, A+)

2.THE BIRD HOUSE (2006, Khoo Eng Yow, Malaysia, A+)

3.HUNT ANGELS (2006, Alec Morgan, Australia, A+)

4.OUR DAILY BREAD (2005, Nikolaus Geyrhalter, Austria, A+)

5.BLED NUMBER ONE (2006, Rabah Ameur-Zaimeche, Algeria, A+)

6.FRAULEIN (2006, Andrea Staka, Switzerland, A+)

7.THE GO MASTER (2006, Tian Zhuangzhuang, A+/A)

8.TURISTAS (2006, John Stockwell, A+/A)

9.MORE THAN ANYTHING IN THE WORLD (2006, Andres Leon Becker + Javier Solar, Mexico, A)

10.VANAJA (2006, Rajnesh Domalpalli, India, A)

11.ESSENCES INSENSEES: ART AND PERFUME EXHIBITION (A)

12.ABDUCTION: THE MEGUMI YOKOTA STORY (2006, Patty Kim + Chris Sheridan, A)

13.OUT OF BOUNDS (2005, Alexandre Leborgne + Pierre Barougier, A-)

14.CHILDREN OF GLORY (2006, Krisztina Goda, Hungary, A-/B+)

15.KUNG FU TOOTSIE (2007, Jaturong Mokjok, Thailand, B+)



















Sunday, July 22, 2007

RAIN DOGS (2006, HO YUHANG, A+++++)

THIS IS MY COMMENT IN NANOGUY’S BLOG
http://nanoguy.bloggang.com

ขอบคุณมากนะคะที่ไป COMMENT ในบล็อกของดิฉัน

ขอเรียงลำดับหนังที่คุณ NANOGUY ดูตามความชอบส่วนตัวของดิฉันนะคะ

1.RAIN DOGS (2006, Ho Yuhang, A+)
ดิฉันถูกโฉลกกับหนังที่ไม่มีเนื้อหาสาระแบบนี้แหละค่ะ ดูแล้วรู้สึกว่า WAVELENGHTS ของตัวเองจูนติดกับจังหวะของหนัง ก็เลยดูแล้วรู้สึกมีความสุขมากๆ โดยไม่ต้องคิดอะไร แค่ปล่อยอารมณ์ไปเรื่อยๆ


2.REQUIEM (2006, Hans-Christian Schmid, A+)
เคยดูหนังของผู้กำกับคนนี้มาแล้ว 3 เรื่อง ดูแล้วชอบแค่ในระดับปานกลางเท่านั้น แต่เรื่องนี้รู้สึกว่าผู้กำกับทำหนังเรื่องนี้ได้ตรงใจดิฉันมากๆ

หนังอีก 3 เรื่องที่เคยดูได้แก่
2.1 23 (1998, A-)
2.2 IT’S A JUNGLE OUT THERE (1995, B+)
2.3 CRAZY (2000, C+)


3.THE PASSENGER (2005, Eric Caravaca, A+)
ชอบฉากที่พระเอกสองคนขี่มอเตอร์ไซค์ไปด้วยกันมากๆ โดยเฉพาะดนตรีประกอบในฉากนั้นที่รู้สึกว่าจะเน้นเสียงเครื่องสายเป็นหลัก


4.PLOY (2007, Pen-ek Ratanaruang, A+)


5.HATSU-KOI (2006, Hanawa Yukinari, A+)
ดิฉันชอบบรรยากาศชีวิตวัยรุ่นในยุคนั้นน่ะค่ะ ก็เลยชอบช่วงแรกๆของหนังมาก โดยเฉพาะตัวละครนักแสดงละครเวทีหญิง


6.THE PAGE TURNER (2006, Denis Dercourt, A+)
ชอบตอนจบของหนังอย่างสุดๆ


7.FRACTURE (2007, Gregory Hoblit, A)
ดิฉันชอบหนังแนวเฉื่อยๆอย่างนี้แหละค่ะ และก็ชอบการตัดสินใจของพระเอกที่ไม่ยอมใช้วิธีการที่ไม่ถูกต้องในการกำจัดคนเลว อย่างไรก็ดี ถึงแม้การตัดสินใจของพระเอกหนังเรื่องนี้จะตรงข้ามกับการตัดสินใจของพระเอกหนังเรื่อง SHOOTER (2007, Antoine Fuqua, A) ที่ใช้วิธีการแบบศาลเตี้ยในการกำจัดคนเลว แต่ก็ชอบพระเอกของหนังสองเรื่องนี้ทั้งคู่


8.THE EMBALMER (2002, Matteo Garrone, A)


9.LA MOME (2007, Olivier Dahan, A)


10.SICK NURSES (2007, Thodsapol Siriwiwat + Piraphan Laoyont, A)


11.IMMORTEL (AD VITAM) (2004, Enki Bilal, A-)
เพิ่งซื้อหนังสือการ์ตูนของเรื่องนี้มา แต่ยังไม่ได้อ่าน แต่รู้สึกว่าพระเอกในหนังจะหน้าตาดีกว่าในการ์ตูนมาก พอเห็นอย่างนี้แล้วก็เลยทำให้รู้สึกชอบหนังมากยิ่งขึ้น ฮ่าๆๆ


12.CRAZY STONE (2006, Ning Hao, A-)


13.TRANSFORMERS (2007, Michael Bay, A-)

14.SHREK THE THIRD (2007, Chris Miller, A-)

15.OCEAN’S THIRTEEN (2007, Steven Soderbergh, A-)

16.FIREWALL (2006, Richard Loncraine, A-/B+)
ผู้ร้ายในหนังเรื่องนี้หล่อดี

Thursday, June 21, 2007

LE COEUR FANTOME (1995, PHILIPPE GARREL, A+++++)

THINGS SEEN RECENTLY

EXCLUDING THE NINE FRENCH FILMS I LISTED LAST FRIDAY, THESE ARE THE LIST OF THINGS I SAW FROM JUNE 7-20, 2007, in roughly preferential order:

1.LE COEUR FANTOME (1995, Philippe Garrel, A+)
From video.


2.WASTELAND (A+)
A dance performance by Cie Kafig, choreographed by Mourad Merzouki


3.RAIN DOGS (2006, Ho Yuhang, Malaysia, A+)
http://www.imdb.com/title/tt0851579/
I saw it at Houserama.


4.REQUIEM (2006, Hans-Christian Schmid, A+)
http://www.imdb.com/title/tt0454931/
I saw it at Houserama.


5.FUNERAL PARADE OF ROSES (1969, Toshio Matsumoto, A+)
Thanks to Galapapruek, who gave me this video.


6.THE DEAD GIRL (2006, Karen Moncrieff, A+)
Thanks to Graiwoot Chulphongsathorn, who lent me this DVD.

I haven’t seen BLUE CAR (2003, Karen Moncrieff), but it is in Girish Shambu’s 2003 favorite film list:
http://www.sensesofcinema.com/contents/04/30/favourites3.html#shambu


7.NEVER CONGREGATE, NEVER DISREGARD (2007, Arin Rungjang, A+)
A one-hour video installation at Bangkok University Gallery


8.PLOY (2007, Pen-ek Ratanaruang, A+)


9.CHILLAX (2007, Edward Squire, A+)


10.SOLDIERS OF SALAMINA (2003, David Trueba, Spain, A+)
http://www.imdb.com/title/tt0314693/
From video

I think parts of this film might be sentimental, but I give A+ to this film because there is one scene that made me cry uncontrollably. It is the scene when Miralles (Joan Dalmau) talked about the soldiers who were killed in the wars and forgotten by everybody.


11.DOUBLE SUICIDE (1969, Masahiro Shinoda, A+)
From video


12.GENESIS (1999, Cheick Oumar Sissoko, Mali, A)
From video


13.THE CREATURES, a ballet performance by Biarritz Ballet, choreographed by Thierry Malandain (A)
I was gladly surprised that a part of this performance is about a gay relationship.


14.SICK NURSES (2007, Thodsapol Siriwiwat + Piraphan Laoyont, Thailand, A)


15.FANTASTIC FOUR: RISE OF THE SILVER SURFER (2007, Tim Story, A-)


16.LOVE AND HONOR (2006, Yoji Yamada, A-)
http://www.imdb.com/title/tt0483578/


17. MOLIERE (2006, Laurent Tirard, France, A-)


18.CRAZY STONE (2006, Ning Hao, A-)
I saw it at Houserama.


19.DORORO (2007, Akihiko Shiota, A-)


20.OCEAN’S THIRTEEN (2007, Steven Soderbergh, A-)


21.THE HITCHER (2007, Dave Mayers, A-/B+)
http://www.imdb.com/title/tt0455960/


MY FEELINGS:
--It’s hard to find words to describe how or why I like LE COEUR FANTOME. I often have this difficulty when I tried to describe why I like some of Maurice Pialat’s films, too. Some films by Pialat and Garrel strike me as very life-like. These films portray real life as it is, without overabundant technique, style, camerawork, or plot. This makes it very difficult to explain in words the greatness of these films. They are so simple, but they are so great. It is much easier for me to write about films with showy or bizarre techniques, films with many interesting ideas, films with messages, or films with strange plots.

--I find that many things in LE COEUR FANTOME are also in THE BIRTH OF LOVE (1993, Philippe Garrel, A+), such as a father abandoning his son, a departure from lover (Johanna ter Steege) at a train station, a reference to narcotics, a relationship with much younger girlfriend. Maybe it is because all these films are inspired by Philippe Garrel’s real life.

--In my opinion, one thing that makes LE COEUR FANTOME very different from THE BIRTH OF LOVE is that there are a few dream sequences in LE COEUR FANTOME. However, despite these dream sequences, the film still feels very close to real life.

--Two favorite scenes in LE COEUR FANTOME:

1.A scene when a father (Maurice Garrel) tells his son (Luis Rego) some secrets

After I had watched this scene, I felt immediately that the director shouldn’t have filmed this scene, because it is a secret between a father and a son, and the director shouldn’t have let the viewers know this secret. It is the right of the father and the son to keep this secret for themselves.

Suddenly, I realized that I had just forgotten for a while that what I was watching is a fictional film, not a documentary. My first spontaneous reaction to that scene is the reaction I should have towards a documentary film, not a fictional one.

I watched LE COEUR FANTOME when I had a sore throat. I don’t know that “my forgetting the film is fictional” is caused by my illness, my insanity, or by the talent of Philippe Garrel. Giving the benefit of the doubt, I give this credit to Philppe Garrel, rather than admitting that I may be insane. Hahaha.

A case like this used to happen to me before. Once it occurred after I had watched FREE RADICALS (Barbara Albert, A+). The next morning after I had watched this Austrian film, I woke up crying and wondering about how the characters’ lives in FREE RADICALS would go on. After crying for a while, I realized that FREE RADICALS is a fictional film. Those characters don’t really exist, and I can imagine those characters’ lives to go on as happily as I can.

Well, maybe I am really insane and can’t distinguish fictional characters from real people from time to time. But it still requires such special films as LE COEUR FANTOME and FREE RADICALS to make me realize this.

2.The ending scene of LE COEUR FANTOME

I won’t reveal the ending of this film, but the character’s face at the ending is really inscrutable to me. In other films, the face of the character in the ending might be filled with joy, but in this film, the character’s face is emotionless and lets the viewers think for themselves what the character might feel—Does he feel imprisoned, sad, bored, glad? I don’t know, and that’s what I like.


--One thing that I like very much in LE COEUR FANTOME is the constant change of the relationships of characters. The characters falls in love, gives up, falls in love again, etc, with no obvious reasons or explanations. I think this charactereristic is very much like real life.

I think French filmmakers are adept at making this kind of films, and they make these films in a very realistic way, not in a melodramatic way like the TV series MELROSE PLACE (I like both realistic and melodramatic ways, though.)

French films in this group may include:

1.MY SEX LIFE…OR HOW I GOT INTO AN ARGUMENT (1996, Arnaud Desplechin, A+)

2.WE WON’T GROW OLD TOGETHER (1972, Maurice Pialat, A)

3.LATE AUGUST, EARLY SEPTEMBER (1998, Olivier Assayas, A-)


--For more information on Philippe Garrel, please read:

REGULAR LOVERS reviewed by Jesse Ataide
http://www.dvdverdict.com/reviews/regularlovers.php

SAUVAGE INNOCENCE (2001) reviewed by Mubarak Ali
http://supposedaura.blogspot.com/2005/11/incomplete-exorcisms.html

Philppe Garrel’s films reviewed by Acquarello
http://filmref.com/directors/dirpages/garrel.html

Articles in Senses of Cinema
http://www.sensesofcinema.com/contents/01/12/garrel.html
http://www.sensesofcinema.com/contents/00/9/garrel.html
http://www.sensesofcinema.com/contents/00/6/revelateur.html


--I love RAIN DOGS by Ho Yuhang very much. The ending of this film should be compared to the opening scene of INDIA SONG (1975, Marguerite Duras, A+). The ending of RAIN DOGS is a long take shot of a rainbow, with no camera movement, while the opening shot of INDIA SONG is the same kind of shot of a setting sun.

--I regret that I haven’t seen as many Malaysian films as I should. I think I have seen no more than 20 Malaysian films, both short and feature films combined. Malaysian films that I like include:

1.THIRD PARTY (2003, Khoo Eng Yow, A+)
27 min

2.RAIN DOGS

3.COMPANY OF MUSHROOM (2005, Tan Chui Mui, A+)

4.A TREE IN TANJUNG MALIM (2004, Tan Chui Mui, A+)

5.LOST (2002, Amir Muhammad, A+)
9 min

6.THE DINNER GUEST (1997, Bryant Low, A)
14 min

7.DEMOLITION FROG (2001, Linus Chung Yao Fui, A)
Animation, 10 min

8.ARTICLE 19 (2001, Eddie Lau, A)
5 min

9.MALAYSIA FRIDAY (2001, Tan Jun Ho, A-)
4.15 min

10.LIVE CONCERT (1999, Juhaidah, A-)
4 min

11.THE BEAUTIFUL WASHING MACHINE (2004, James Lee, B+)

12.MAKYONG – PAGEANTS OF THE ANCIENTS (Bernard Chauly + Ho Yuhang, B+)


However, since most of the films in the list are short films, I hardly remember the details of these films now. I made this list by looking at my old diaries to see the grades I gave to these films just after the viewing. I regret that I didn’t note down the details of what I felt for each film at that time.

--“Alone Again” wrote a Thai-language review of THE LAST COMMUNIST (2006, Amir Muhammad, Malaysia) here:
http://www.bloggang.com/viewdiary.php?id=aloneagain&month=02-2007&date=18&group=1&gblog=30


A photo from REQUIEM
http://outnow.ch/Media/Img/2006/Requiem/


Tuesday, May 01, 2007

FILMS WITH POLITICAL HIDDEN AGENDA

--NEWS FROM IMDB.COM

Eighties' pop star Boy George has laughed off allegations he kidnapped a male escort and chained him to the walls of his east London, England flat on Saturday. Auden Carlsen claims he was hired by Boy George - real name George O'Dowd - to go to the singer's flat at the early hours of Saturday morning to pose for photos. The ex-Culture Club star started taking pictures of the male escort in kinky gear - but Carlsen claims O'Dowd and another man jumped on him and handcuffed him to a hook by the bed. He managed to free himself by pulling the hooks from the wall and alerted the police from a nearby newsagent. However, the pop star's brother Kevin claims George has laughed off the allegations. He says, "The bloke (Carlsen) has done a fair bit of modeling for our clothes shop, so how can what he said be true? George isn't at all annoyed at the allegations, in fact, he thinks it's hilarious. Yeah, he was arrested, but the police are always going to follow it up when someone makes a complaint like that." The singer has been bailed while detectives probe the allegations. George received community service last year in New York when police found cocaine in his apartment.

http://www.poster.net/boy-george/boy-george-photo-xl-boy-george-6227175.jpg


RECENTLY CELINEJULIE HAS COMMENTED IN

--BLACK FORESTS’ BLOG
http://blackforests.blogspot.com/2007/04/ill-sleep-when-im-dead.html

--FILMSICK’S BLOG
http://filmsick.exteen.com/20070501/the-party-and-the-guest?page=1#

--SOMPOT CHIDGASORNPONGSE’S BLOG
http://www.sompotboat.com/blog/?p=87#comments

--SCREENVILLE
http://screenville.blogspot.com/2007/04/deauville-2007-asian-cinema-festival.html


I also think the comparison between James Lee and Bresson is very interesting. I have seen only one film by James Lee. It’s called THE BEAUTIFUL WASHING MACHINE. After I saw it, it reminded me of Tsai Ming-Liang, because of its stillness. But when I read here that James Lee was compared to Bresson, this reminded me of the film’s minimal dialogue, minimal acting, minimal set decoration, minimal movement, and the theme of human alienation. No matter how close or far he is to Bresson, I can confirm that he and his group of Malaysian directors are really the ones to watch.

My friend wrote a comment on THE BEAUTIFUL WASHING MACHINE here:

http://dechito.blogspot.com/2007/03/beautiful-washing-machine.html


I’m not an expert on Tsai and Bresson, but I think one of the main differences between them is that Tsai is more romantic, while Bresson might be more pessimistic. And I think that while the style or film techniques used in THE BEAUTIFUL WASHING MACHINE might remind me of Tsai, it still is not a romantic film, but it represents some cruel human natures. I think some characters in Tsai’s movies long for human touch, while Bresson’s films and THE BEAUTIFUL WASHING MACHINE make me afraid of human.



--GIRISH’S BLOG
http://www.girishshambu.com/blog/2007/04/notes-on-welles-1.html

Thank you very much, Girish, for mentioning Pilgrim Akimbo’s blog. The photos there are amazing. My Thai friend loves AU HASARD BALTHAZAR very much. I’m sure he will scream with delight when I tell him about this blog.

I saw very few films directed by Welles: THE HEARTS OF AGE (1934), THE LADY FROM SHANGHAI, TOUCH OF EVIL, CHIMES AT MIDNIGHT, and F FOR FAKES. THE HEARTS OF AGE was shown in Bangkok in a film festival organized by Apichatpong Weerasethakul and his friends. I don’t understand anything in CHIMES AT MIDNIGHT, because my English listening comprehension is very bad. It’s great that Noel Vera wrote something about this film so I can gain more understanding into it. I am very impressed with F FOR FAKES. It is very complex and playful. I think I have to see it again.

A Thai critic seems to love IT’S ALL TRUE (1993, Bill Krohn, Myron Meisel, Richard Wilson). He often mentions this film and wrote a long review of it. But I haven’t seen this film yet.

I also like Orson Welles in SOMEONE TO LOVE (1987, Henry Jaglom). I like Jaglom, too, and I wish more DVDs of Henry Jaglom were available here in Bangkok.


--LIKE ANNA KARINA’S SWEATER
http://www.filmbrain.com/filmbrain/2007/04/tribeca_report_.html#comments

This is the first time I comment here. I’m glad you like TAXIDERMIA. I also like it a lot. Personally, I also think that the phrase “there's still something poetic in his disgusting images” that you use to describe TAXIDERMIA can also be used to describe “4” (2005, Ilya Khrzhanovsky) and A BATTLE IN HEAVEN (Carlos Reygadas). These three films should be shown together.

I also wrote something about TAXIDERMIA in my blog here:
http://celinejulie.wordpress.com/2007/04/09/hungry-for-hungarian-films/

As for Shane Meadows, I only saw A ROOM FOR ROMEO BRASS and ONCE UPON A TIME IN THE MIDLANDS. I like A ROOM FOR ROMEO BRASS very much, because it gave me a great surprise. At first I assumed that the film would be about the warm relationship between an adult and a child, but, fortunately, the film turned the other way. ONCE UPON A TIME IN THE MIDLANDS gave me no surprises like that.

Films about the making of skinheads seem to be very interesting. As for films about British skinheads, I haven’t seen MADE IN BRITAIN, but I like MY BEAUTIFUL LAUNDRETTE, but it doesn’t explore the skinhead problem deeply.

I wish I could see THIS IS ENGLAND, ROMPER STOMPER (1992, Geoffrey Wright), which is about Australian skinheads, and FUEHRER EX (2002, Winfried Bonengel), which is a true story about German Neo-Nazis. I guess these films can make people understand the problems better. However, I don’t know if Russia, which has the most alarming skinhead problems, has any films dealing with this issue yet.


--SCREENOUT WEBBOARD
http://xq28.net/wow/viewtopic.php?f=7&t=192&start=25

--กรี๊ด กรี๊ด กร๊าด กร๊าด ขอบคุณมากค่ะคุณโอลิเวอร์ที่แจ้งข่าวเรื่องสามีของดิฉัน เมื่อกี้ดิฉันรีบวิ่งไปที่แผงหนังสือในซอย ปรากฏว่า VOLUME หมดแล้วค่ะ แล้วเดี๋ยววันหลังดิฉันจะไปดูที่แผงอื่นๆ



ตอบคุณ FRANKENSTEIN

ชอบ KIKI KIRIN มากๆค่ะ ดีใจมากที่ได้รู้ว่าเธอได้บทดีๆมาแสดงอยู่

เคยเขียนถึง KIKI KIRIN ไว้เล็กน้อยที่นี่ค่ะ
http://celinejulie.blogspot.com/2007/02/hunger-years-in-land-of-plenty.html

โปรดระวังอย่าจำ KIKI KIRIN สลับกับ RIRI RIZA ผู้กำกับภาพยนตร์ชาวอินโดนีเซีย
http://www.imdb.com/name/nm0729764/


--BIOSCOPE WEBBOARD
http://www.bioscopemagazine.com/smf/index.php?topic=71.msg1209#new

ตอบน้อง MERVEILLESXX

หวังว่าน้องคงได้จอคอมพิวเตอร์ใหม่เร็วๆนี้นะคะ พี่เข้าใจดีค่ะว่าการไปเล่นร้านอินเทอร์เน็ตอาจไม่เหมาะกับน้องเท่าไหร่ เพราะร้านอินเทอร์เน็ตไม่ค่อยมีนิสิตสาวน่ารักไปนั่งเล่น แต่ร้านอินเทอร์เน็ตเหมาะกับพี่ค่ะ เพราะมีหนุ่มๆนักศึกษามานั่งเล่นเกมกันมากมาย โฮะๆๆๆๆ


ตอบคุณคนมองหนัง

พูดถึงแนวคิดการเมืองที่อาจแฝงอยู่ในละครทีวีแนวจักรๆวงศ์ๆแล้ว ก็เลยทำให้นึกไปถึงแนวคิดการเมืองที่อาจแฝงอยู่ในอะไรหลายๆอย่างที่ตอนแรกดิฉันไม่นึกว่าจะมีประเด็นการเมืองแฝงอยู่ อย่างเช่น

1.ภาพยนตร์แนวเทพนิยายเรื่อง ELLA ENCHATED (2004, TOMMY O’HAVER, A) ที่ดูเหมือนจะมีเนื้อหาต่อต้านปธน.บุช

2.PRIMEVAL (2007, MICHAEL KATLEMAN, A-) ที่สะท้อนปัญหาการเมืองในทวีปแอฟริกาและท่าทีของคนผิวขาวและคนผิวดำจากนอกแอฟริกาที่มีต่อปัญหาในทวีป

3.MISS POTTER (2006, CHRIS NOONAN, A+/A)
ตอนแรกนึกว่าหนังเรื่องนี้จะเป็นหนังโรแมนติกย้อนยุค แต่ไปๆมาๆหนังกลับสะท้อนประเด็นการเมืองเรื่องการแย่งที่ดินทำกินที่ยังคงมีความสำคัญอยู่จนถึงยุคปัจจุบันนี้

4.MACGYVER (1985-1992, A+)
ละครทีวีของสหรัฐเรื่องนี้สร้างขึ้นในยุคของปธน.โรนัลด์ เรแกน และขณะที่ดิฉันดูละครทีวีเรื่องนี้ตอนอยู่มัธยมปลาย ดิฉันก็คิดว่าละครเรื่องนี้สนุกสุดขีดมาก แต่หลังจากกาลเวลาผ่านไปนาน 20 ปี ดิฉันก็หวนคิดกลับไปถึงเนื้อหาบางตอนของละครทีวีเรื่องนี้ และก็ทำให้ไม่แน่ใจว่าละครทีวีเรื่องนี้ได้สะท้อน “ความหลงผิด” ของยุคเรแกนเอาไว้ด้วยหรือไม่

ความทรงจำของดิฉันแย่มาก ถ้าหากดิฉันจำอะไรผิด ดิฉันก็ต้องขออภัยด้วย แต่ถ้าหากดิฉันจำไม่ผิด มีอยู่สองตอนใน MACGYVER ที่น่าสนใจในประเด็นนี้ ซึ่งก็คือ

4.1 ตอนที่แมคกายเวอร์เข้าไปช่วยเหลือครอบครัวของหน่วยมูจาฮิดีนในแอฟกานิสถานในการต่อสู้กับโซเวียต ซึ่งการกระทำของแมคกายเวอร์ในตอนนี้ก็ดู “ถูกต้องตามหลักศีลธรรม” ดี แต่เราคงรู้ดีว่าความช่วยเหลือของสหรัฐที่มีต่อแอฟกานิสถานในเรื่องนี้ ก่อให้เกิดผลอะไรตามมา (ตาลีบัน—ทำลายพระพุทธรูปโบราณ—เหตุการณ์ 11 ก.ย. และอาจจะตามมาด้วยสงครามโลกครั้งที่ 3)

4.2 ตอนที่แมคกายเวอร์เข้าไปช่วยนักรบหญิงคนหนึ่งในอเมริกากลางในการต่อสู้กับรัฐบาล ดิฉันจำเนื้อหาในตอนนี้ไม่ได้ ไม่แน่ใจว่าแมคกายเวอร์เข้าไปช่วยเหลือนักรบฝ่ายไหนกันแน่ แต่เนื้อหาในตอนนี้ ก็ทำให้นึกถึงความชั่วร้ายของสหรัฐในการเข้าไปยุ่งเกี่ยวกับการเมืองนิคารากัว โดยผ่านทางการสนับสนุนกลุ่มคอนทราในการต่อสู้กับกลุ่มซานดินิสตา ซึ่งในตอนแรกนั้น เด็กมัธยมอย่างดิฉันก็นึกว่าสหรัฐทำถูกต้องแล้วในการให้ความช่วยเหลือกลุ่มคอนทรา แต่หลังจากนั้น ข่าวและหนังหลายๆเรื่องก็ทำให้ดิฉันต้องเปลี่ยนความคิดใหม่

ข้อมูลเกี่ยวกับ CONTRA จาก WIKIPEDIA
http://en.wikipedia.org/wiki/Contras

The Contras initially received financial and military support from the Argentine government and the US through the Central Intelligence Agency (CIA). The Contras would later receive aid through clandestine initiatives by figures in the administration of President Ronald Reagan. They received some support from Nicaraguans opposed to the Sandinistas' nationalization of their land, formation of large farming cooperatives, and mistreatment of dissenters.

A Sandinista militiaman interviewed by The Guardian claimed that Contra rebels committed these atrocities against Sandinista prisoners after a battle at a Sandinista rural oupost:

Rosa had her breasts cut off. Then they cut into her chest and took out her heart. The men had their arms broken, their testicles cut off and their eyes poked out. They were killed by slitting their throats and pulling the tongue out through the slit.[2]

A similar report by the contra newsletter "Resistencia" recounted that a small boy witnessed his mother being raped and tortured and had her breasts cut off. The boy then had since joined the Contras to fight the Sandinistas.

Human Rights groups such as Americas Watch, Amnesty International, and Witness for Peace routinely catalogued yearly allegations of such war crimes as:

targeting health care clinics and health care workers for assassination.
kidnapping civilians.
torturing civilians.
executing civilians, including children, who were captured in combat.
raping women.
indiscriminantly attacking civilians and civilian houses.
seizing civilian property.
setting alight civilian houses in captured towns.

The Catholic Institute for International Relations summarized contra operating procedures in their 1987 human rights report: "The record of the contras in the field, as opposed to their official professions of democratic faith, is one of consistent and bloody abuse of human rights, of murder, torture, mutilation, rape, arson, destruction and kidnapping."


5.หนังตลกเรื่อง BUBBLE BOY (2001, BLAIR HAYES, A)
http://www.imdb.com/title/tt0258470/

เข้าใจว่าหนังเรื่องนี้สร้างขึ้นเพื่อล้อเลียนแนวคิดเคร่งศีลธรรมแบบ REAGANISM แต่ตอนนี้รู้สึกว่าหนังเรื่องนี้เหมาะกับประเทศไทยในตอนนี้มาก เพราะหนังเรื่องนี้มีเนื้อหาเกี่ยวกับแม่ที่จับลูกชายเข้าไปอยู่ในบอลลูนปลอดเชื้อโรค เพื่อไม่ให้ลูกชายได้รับเชื้อโรคทั้งทางร่างกาย และจิตใจ (สิ่งผิดศีลธรรม) ตลอดชีวิต แต่ในที่สุดลูกชายก็ได้หนีออกไปดูโลกกว้าง และพบว่าสิ่งที่แม่พยายามปิดกั้นการรับรู้ของเขามาโดยตลอดนั้น ไม่ได้เลวร้ายอย่างที่คิด

>.a kid whose religious-zealot mom (Swoosie Kurtz: Liar Liar) had just kept him in the house his whole life, a necessary defense tactic because, as we all know, the world is full of whores waiting to corrupt her innocent baby the moment he steps outside.<<

http://www.villagevoice.com/film/0135,rutigliano,27627,20.html

>>God-fearing Reaganite Mrs. Livingston (Swoosie Kurtz as Piper Laurie in Carrie) does have some valid concerns about who her cured-at-four bubble tot Jimmy (Jake Gyllenhaal as Jason Biggs as Adam Sandler) might encounter should he be loosed from his Mommy-controlled biosphere. "Whore next door" Chloe (Marley Shelton) has pert breasts, blond hair, and a lone brain cell<<


6.หนังแนว COMING OF AGE เรื่อง THE EMPEROR’S CLUB (2002, MICHAEL HOFFMAN, A+)
http://www.imdb.com/title/tt0283530/

ตอนแรกนึกว่าหนังเรื่องนี้จะเป็นหนังสูตรสำเร็จที่สร้างขึ้นเพื่อเลียนแบบ DEAD POET’S SOCIETY แต่ไปๆมาๆ หนังเรื่องนี้ที่สร้างขึ้นเพื่อฉายในปี 2002 กลับทำนายอนาคตของสหรัฐที่จะต้องตกอยู่ภายใต้การปกครองของตระกูลบุชที่ชั่วร้ายได้อย่างเหมาะเหม็งมาก


--ประทับใจเนื้อเพลงของพระทิณวงศ์ในส่วนที่ทำสีเด่นขึ้นมามากๆค่ะ พูดถึงการที่ผู้มีอำนาจขีดเส้นออกกฎเกณฑ์แก่ประชาชนแล้ว ก็ทำให้นึกถึงสิ่งที่ผู้หญิงคนหนึ่งเคยจดบันทึกไว้ในยุคตาลีบัน เพราะเธอเขียนเอาไว้ว่า รัฐบาลในยุคนั้นออก “ข้อห้าม” เพิ่มขึ้นเรื่อยๆ ทุกวันๆ ไม่รู้ว่าวันๆพวกเขาเอาเวลามาคิดแต่ว่าจะออกข้อห้ามอะไรดีหรือยังไง

พูดถึงการออกกฎเกณฑ์ข้อห้ามต่างๆในประเทศไทย ก็ทำให้นึกถึงข่าวในประชาไทสองข่าวที่เพิ่งได้อ่านในวันนี้ เป็นข่าวที่น่าเศร้าใจมาก

1.รองผบ.ตร.เตือนผู้ประกอบการสิ่งพิมพ์ ส่งตัวอย่าง นสพ. ให้ตรวจสอบก่อนวางขาย
http://www.prachatai.com/05web/th/home/page2.php?mod=mod_ptcms&ContentID=7910&SystemModuleKey=HilightNews&System_Session_Language=Thai


2.การรังแกคนงานต่างชาติผ่านทางกฎหมายไทย
http://www.prachatai.com/05web/th/home/page2.php?mod=mod_ptcms&ContentID=7909&SystemModuleKey=HilightNews&System_Session_Language=Thai


>.มีประกาศของจังหวัดระนอง เรื่อง “กำหนดมาตรการจัดระเบียบคนต่างด้าวบางจำพวก” และประกาศจังหวัดภูเก็ต เรื่อง “การจัดระบบในการควบคุมแรงงานต่างด้าว” เช่น ห้ามแรงงานข้ามชาติใช้โทรศัพท์เคลื่อนที่ ห้ามมิให้แรงงานข้ามชาติออกนอกที่พักอาศัยหลังเวลา 20.00 น. ห้ามชุมนุมตั้งแต่ 5 คนขึ้นไป เป็นต้น<<


ไม่เข้าใจว่าคนออกกฎพวกนี้เป็น “มนุษย์” จริงๆหรือเปล่า เขาถึงได้มองว่าคนไทยเท่านั้นที่เป็นมนุษย์ ส่วนคนต่างชาติไม่ควรได้รับการปฏิบัติเหมือนเป็นมนุษย์


--AU HASARD BALTHAZAR
http://www.bioscopemagazine.com/smf/index.php?topic=178.0

ดูรูปมือจาก AU HASARD BALTHAZAR ได้ที่ BLOG ข้างล่างนี้ค่ะhttp://pilgrimakimbo.blogspot.com/2007/04/agents-of-fate.html

ในขณะที่ AU HASARD BALTHAZAR + หนังเรื่องอื่นๆของ ROBERT BRESSON + หนังบางเรื่องของ MICHAEL HANEKE ชอบจับภาพ “มือ” ก็เลยทำให้นึกขึ้นมาได้ว่า หนังเรื่อง MISS POTTER ชอบจับภาพ “รองเท้า” มากเป็นพิเศษ ถ้าจำไม่ผิด ในหลายๆช็อตของหนังเรื่องนี้ หนังจะจับที่ภาพรองเท้าเป็นจุดแรก ก่อนที่กล้องจะค่อยๆไล่ขึ้นไปจับภาพกระโปรง, เสื้อ และหน้าตัวละคร