MOST FAVORITE FOREIGN SHORT FILMS 2019

 

MOST FAVORITE FOREIGN SHORT FILMS 2019

 

1. XÉNOGÉNÈSE (1981, Akihiko Morishita, Japan)

 

2. HEAVEN-HELL (2018, Dirk De Bruyn, Australia)

 

3. SPACY (1981, Takashi Ito, Japan)

 

4. FIREFLIES (2019, Robin Estargo, Philippines)

 

5. THINGS (2014, Ben Rivers, UK)

 

6. COULD SEE A PUMA (2011, Eduardo Williams, Argentina)

 

7. ATMAN (1975, Toshio Matsumoto, Japan)

 

8. BROUILLARD --  PASSAGE #14 (2013, Alexandre Larose, Canada)

 

9. REQUIEM FOR M (2010, Kiri Dalena, Philippines)

 

10. UMBRA (2019, Florian Fischer, Johannes Krell, Germany)

 

11. TENEBRAE (2018, Nicole Midori, Singapore)

 

12. MY LADY M (2018, Tingerine Liu, Singapore)

 

13. WILDCAT (FAUVE) (2018, Jeremy Comte, Canada)

 

14. WREN BOYS (2017, Harry Lighton, UK)

 

15. MORT AUX CODES (2018, Léopold Legrand, France)

 

16. RAILTRACK SONGMAPS BY THE MIGRANT ECOLOGIES PROJECT (ONGOING) (2010, Lucy Davis, Singapore)

 

17. OUTER SPACE (1999, Peter Tscherkassky, Austria)

 

18. DRIMSIKOL (2018, Tyl Abellaneda, Philippines)

 

19. ALIENATION (1966, Chiu Kang-chien, Taiwan)

20. MODERN POETRY EXHIBITION (1966, Chang Chao-tang, Taiwan)

 

21. LUCIA JOAQUIN, THE SON OF MARIA LABO (2019, Nef Luczon, Philippines)

 

22. SWITCHBACK (1976, Nobuhiro Kawanaka, Japan)

 

23. COMPLIANCE LEVEL 0 (2018, Han Sung-nam, Japan)

 

24. THE ANIMAL THAT THEREFORE I AM (2019, Bea de Visser, Netherlands)

 

25. BOUT-DE-ZAN ET LE CROCODILE (1913, Louis Feuillade, France)

 

26. THE SHEPHERD (2018, Brwa Vahabpour, Norway)

 

27. SHORT WAVE (2019, Mohammad Esmaeili, Iran)

 

28. MY WORLD (2018, Jun Li, Hong Kong)

 

29. COLD FISH (2018, Thanh Doan, Vietnam)

 

30. UNCONSOLED (2019, Le Bao, Vietnam)

 

31. SKIN (2018, Guy Nattiv)

 

32. THE TUK TUK OF THE FIFTH KIND (2018, Anysay Keola, Laos)

 

33. NEW LAND BROKEN ROAD (2018, Kavich Neang, Cambodia)

 

34. CLAUDIA (ca. 1965, Jorge Prelorán)

 

35. THE FLAT (1968, Jan Svankmajer, Czechoslovakia)

 

36. THERE IS A HAPPY LAND FURTHER AWAAY (2015, Ben Rivers, UK/Vanuatu)

 

37. ROUTINE (1969, Law Kar, Taiwan)

 

38. PATISION AVENUE (2018, Thanasis Neofotistos, Greece)

 

39. HIKARI (1978, Nobuhiro Ahara, Japan)

 

40. STRING FIGURE OF TIME (2018, Kieko Ikehata, Japan)

 

41. MUD MAN (2017, Yamashiro Chikako, Japan)

 

42. MAYBE ALIENS (2017, Glenn Barit, Philippines)

 

43. ALL INCLUSIVE (2018, Corina Schwingruber Ilic, Switzerland)

 

44. THE CHRISMAS GIFT (CADOUL DE CRACIUN) (2018, Bogdan Muresanu, Romania)

 

45. A DISTANT EPISODE (2015, Ben Rivers, UK)

 

46. FIELD NOTES (2014, Vashiti Harrison, USA/Trinidad and Tobago)

 

47. BLOCK A-2-15 (2018, Won Jun Yap, Malaysia)

 

48. FROM THE DARK DEPTHS (2017, Kiri Dalena, Philippines)

 

49. REALMS (2019, Patrick Söderlund, Finland)

 

50. HAVE A NICE DAY (2019, Lau Kok Rui, Hong Kong)

 

51. LULLABY FOR A STORM (2013, Kiri Dalena, Philippines)

 

52. ERASED SLOGANS (2008, Kiri Dalena, Philippines)

 

53. ELENA (2018, Jesús Reyes, Colombia)

 

54. EVEN ANTS STRIVE FOR SURVIVAL (2017, Ren Xia, Hong Kong)

 

55. VINEGAR BATHS (2018, Amanda Nell Eu, Malaysia)

 

56. THE COMPANY SLAVE ZOMBIE (2019, Katsuhide Yamago, Japan)

 

57. JAPAN, THE BEAUTIFUL OR AMBIGUOUS, AND OURSELVES (2019, Tomotosi, Japan)

 

58. METEORITO (2018, Mauricio Sáenz, Mexico)

 

59. DUTCHMAN’S PHOTOGRAPH (1974, Isao Kota, Japan)

 

60. A MILLION YEARS (2018, Danech San, Cambodia)

 

61. NO ONE CAME TO WEEP (2017, Glorypearl Dy, Philippines)

 

62. MARIA FROM THE MANGROVES (2018, Eugenio Gómez Barrero, Colombia)

 

63. A DREAM OF SPRING (2017, Shih Han Tsao, Taiwan)

 

64. THE CHAIRS (2018, Orkhan Aghazadeh, Azerbaijan/UK)

 

65. SHOOTING CROWS (2018, Christine Hürzeler, Switzerland)

 

66. THE MUTE (2018, Pham Thien An, Vietnam)

 

67. A DANCE FOR REN HANG (2018, Lei Yuan Bin, Singapore)

 

68. A PLASTIC BOTTLE’S STAIR DANCE (2018, Mikhail Basov, Russia)

 

69. SONS OF APRIL (2018, Robin Veret, Cambodia)

 

70. A MORNING IN TAIPEI (1964, Pai Ching-jui, Taiwan)

 

71. LULLABY (2019, Ray Du, New Zealand)

 

72. LOOKING FOR A TENDER SILENCE (2018, Luis Cifuentes, Chile)

 

73. SEASONAL RAIN (2018, Aung Phyoe, Myanmar)

 

74. THE LAST POST OFFICE (2018, Aung Rakhine, Bangladesh)

 

75. THE DISTURBED (PANABI) (2017, Maki Cabrera, Philippines)