MENTAL PAIN (Payat Chuenyen, A+++++)

This is my comment in Bioscope webboard:
http://www.bioscopemagazine.com/smf/index.php?topic=71.1560



ตอบคุณ grappa

เสียดายมากเลยที่ดิฉันได้ไปดูงาน PASSION OF THAI MODERN ART แค่เซคชั่นเดียว เพราะแทบไม่มีเวลาว่างเลยในเดือนก.ค. อยากดูงานของอารยา ราษฎร์จำเริญสุขมากๆ

เพิ่งรู้จากบล็อกของ WISEKWAI ว่า อารยาได้รางวัลศิลปาธรปีนี้ด้วย
http://thaifilmjournal.blogspot.com/2008/08/nonzee-nimibutr-wins-silpathorn-award.html
http://www.dailyxpress.net/2008/08/06/entertainment/entertainment_3922.php


FAVORITE THINGS SHOWN IN “PASSION OF THAI MODERN ART” EXHIBITION:

MENTAL PAIN (Payat Chuenyen)
http://farm3.static.flickr.com/2247/2741781178_f25918c5bd_o.jpg

MYSTERY (1988, Teerawat Kanama)
http://farm4.static.flickr.com/3251/2741781166_99f7f29e3d_o.jpg

REFLECTION (Amrit Chusuwan)
http://farm4.static.flickr.com/3116/2741781162_7f038ec225_o.jpg

REFLECTION NO. 19 (Paripan Salyaphongse)
http://farm4.static.flickr.com/3035/2741781172_ff3ede5cc6_o.jpg

SANAM LUANG (1998, Piya Puangkhunthien)
http://farm4.static.flickr.com/3070/2741781170_f1ca997247_o.jpg



ตอบ merveillesxx + alone again

ดีใจมากค่ะที่ได้ไปดู WAITING FOR G.D.

สำหรับ WAITING FOR GODOT เวอร์ชันที่อยากดูมากๆนั้น ก็ได้แก่

1.Susan Sontag’s version in Sarajevo in 1993, during the Bosnian war
http://www.tau.ac.il/arts/publications/ASSAPHTH11/AKSTENS.html

“Sontag completely reinvented the play’ and that, ultimately, this Godot ‘wasn’t about life or god or absurdity, it was about this particular siege: a single carrot to eat, shoes that hurt, helpless waiting.”


2.Paul Chan’s version in New Orleans after the city was destroyed by Hurricane Katrina

http://www.nytimes.com/2007/12/02/arts/design/02cott.html?_r=1&pagewanted=all&oref=slogin

“In the Lower Ninth Ward, where one of the largest black neighborhoods in a mostly black city was all but erased by roof-high water surging through a levee, the intersection of two once-busy streets was the stage.”

“In the Lower Ninth, the surrounding terrain — no lights, no sounds, almost no people — became a character itself. Actors emerged from and vanished into darkness. At the end, Vladimir and Estragon walked off in the direction of the levee that had burst.”