ANTI-CLOCK is as difficult as any films made by Jean-Luc Godard or
Alexander Kluge. It is full of things I don’t understand. It is not easy to
attune my wavelength to this film, but it is mesmerizing in its own way. If I
have to screen this film with another film, I may choose to screen it with
REALTIME (1983, Hellmuth Costard + Jürgen Ebert, A+30), because both of them
are:
1.Very great
2.Very strange
3.Essayistic
4.Very scientific
5.Very charming because of its use of early video techniques
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