Sunday, January 17, 2021

MOST FAVORITE VIDEO INSTALLATIONS 2019

 

MOST FAVORITE VIDEO INSTALLATIONS 2019

 

1.PLANET KRYPTON (2019, Prontip Mankhong, Pisitakun Kuantalaeng)

 

2.TABULA RASA (2018, Taiki Sakpisit)

 

3.HPARK TRAVEL (2019, Hyemin Park, South Korea)

 

4.PART (2019, Nuttamon Piamsumran)

 

5.LIVING MUSEUM 2 NOSTALGIA (2015, Kamol Phaosavasdi)

 

6.PEOPLE ON SUNDAY (2019, Tulapop Saenjaroen)

 

7.SHINPAN (1975, Shuji Terayama, Japan, Interactive Film Screening)

 

8.STUDENT RECONSTRUCTION (2018, Green Zeng, Singapore)

 

9.NO HISTORY IN A ROOM FILLED WITH PEOPLE WITH FUNNY NAMES 5 (2018, Korakrit Arunanondchai & Alex Govijic with boychild)

 

10.THE BIRD OF HOPE (2019, Virinsire Chomchey)

 

11.ORDINARY NATIONS: UNITED STATES OF VELA SU (2019, Hyemin Park, South Korea)

 

12. DEEP ASCII (1998, Vuk Ćosić, Slovenia)

 

13. A TALE OF TWO HOMES (2015, Navin Rawanchaikul)

 

14. SELFIE STICK BATTLE (2016, Unnur Andrea Einarsdottir, Iceland)

 

15. EKKO (1995, Erik Hesby)

 

16. THE WILL TO HURT (2019, Christopher Logan, USA/Norway)

 

17. DESENSED SINGULAR FLIGHT OR FIGHT (2018, Christopher Logan, USA/Norway)

 

18. YOU LEAD ME DOWN TO THE OCEAN (2018, Tada Hengsapkul)

 

19. PERSONAL INNER SPACE (1997-1998, Wantanee Siripattananuntakul)

 

20. VIDEOGRAM 4 (1976-1977, Miha Vipotnik, Slovenia)

 

21. INTERREGNUM (2017, Adrian Paci, Albania)

 

22. AH SHIT, HERE WE GO AGAIN (2019, Tewprai Bualoi)

 

23. READING FOR ONE FEMALE CORPSE (1997, Araya Rasdjarmrearnsook)

 

24. INVASION (2015, Atsuko Nakamura, Japan)

 

25. EYE YOUR EARS (2019, Jeanne Penjan Lassus)

 

26. SCRIPTURES OF THE WIND (2016, Moojin Brothers, South Korea)

 

27. SACRIFICE CHAPTER 1 พลีตน (2019, Samak Kosem)

 

28. DO WE LEARN SOMETHING FROM THIS YET? (2019, Ruangsak Anuwatwimon)

 

29. KISS (2015, Kosit Juntaratip)

 

30. SCARS FROM MEMORIES (2019, Prueksa Srisunpasirigul)

 

31. OBALA/BEACH (2004, Nataša Prosenc Stearns, Slovenia)

 

32. A LETTER OF FOUR SEASONS (2018, Nawin Rawanchaikul, Japan/Thailand)

 

33. A TALE FROM THE LAND OF SIX TREES (2017, Nawin Rawanchaikul, Japan/Thailand)

 

34. THE TRACE OF THE BOX – A BETTER WORLD (2017, Moojin Brothers, South Korea)

 

35. 16x9 CAPSULE (2014, Wuttin Chansataboot)

 

36. WALL DUST (2013-2016, Wang Haiyang)

 

37. A WALK (2002, Araya Rasdjarmrearnsook)

 

38. NEVER AGAIN เหยียบย่ำซ้ำเดิน at WTF Gallery

 

39. RHYTHMIC FLUCTUATION (DAUGHTER) (2019, Nithiphat Hoisangthong)

 

40. PREAH KUNLONG (2017, Khvay Samnang, Cambodia)

 

41. OTROCI/KIDS (2001, Franc Purg, Slovenia)

 

42. IMAGE AND SOUND OF HAUNTING SONOROUS ENVELOPE (2018, Toeingam Guptabutra, Pattarapong Siripanya)

 

43. SHIVERING SANDS (2016, Rohini Devasher)

 

44. THE WHITE MILK OF WHITE BREASTS (1969, Nuša Dragan, Srečo Dragan, Slovenia)  

 

45. PINK MAN BEGINS (EPISODE 1, 2, 3) (1997, Manit Sriwanichpoom)

 

46. BANGKOK AND BERLIN BY BUS (2019, Christine Falk, Alfred Banze, German/Thailand)

 

47. CONTINUED HORIZON (2019, Suparirk Kanitwaranun)

 

48. ARBITRARY NOTION (2013, Atsuko Nakamura, Japan)

 

49. DE CHA (2019, Decha Diwiset)

 

50. KETTÖ (TWO) (2014, Máté Labus, Hungary)

 

51. MUMMING AGE (2012, Moojin Brothers, South Korea)

 

52. WHAT MAKES US HUMAN: BELIEVE (2019, Pitiwat Somthai)

 

53. LULLABY: GRANDPA ON THE BEACH (2019, Kanta Chalermsanyakorn)

 

54. DAY DREAMING (2019, Yaowaluck Charusbunpracha)

 

55. BANGKOK VOMIT (2014, Kanakorn Kachacheewa)

 

56. POLAR BEAR AND ICEBERG (2019, Pasutt Kanrattanasutra)

 

57. OVERLAY (2018, Sakonpat Chotipatthamanon)

 

58. SOUR (2005, Natnarun Bualoi)

 

59. SMILE AND NOD (2019, Vasuthida Unwattana, Prynlada Arbhabhirama, Jitivi Banthaisong)

 

60. FLAGS WORLD (HYBRIDITY PART 4) (2000, Komson Nookiew)

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