Sunday, June 24, 2007

PARIS HILTON FROM DUSK TILL DAWN

RECENTLY CELINEJULIE HAS COMMENTED IN:

--MICHAEL GUILLEN’S BLOG:
http://theeveningclass.blogspot.com/2007/06/2007-frameline31michael-hawleys-preview.html


Hi, Maya, I also like BIG BANG LOVE, JUVENILE A a lot. It is crazy. I don’t understand anything in it. As for Takashi Miike’s films, I have seen only six of them. This is the list in my preferential order:

1.MASTERS OF HORROR: IMPRINT (2006, A+)

2.ONE MISSED CALL (2003, A+)

I don’t think this film is better than AUDITION, but I like the (too many?) twists in the plot of this film.

3.AUDITION (1999, A)

4.BLUES HARP (1998, A-)
This film also has some homoerotic feelings in it.

5.THE BIRD PEOPLE IN CHINA (1998, A-)

6.THREE…EXTREMES: BOX (2004, A-/B+)


--I’m glad you like Maria de Medeiros. I also like her a lot. She also has an interesting supporting role in MY LIFE WITHOUT ME (2003, Isabel Coixet, A+) as a hairdresser who is obsessed with Milli Vanilli.

--I like Andre Techine a lot, but I feel the pace of CHANGING TIMES (2004, A) and LOIN (2001, A) are a little bit too fast for me to feel deeply involved in it.

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PARIS HILTON FROM DUSK TILL DAWN

I wrote this imaginary movie plot just for the fun of myself, but it would be good if any of you can enjoy it, too.

My writing below is inspired by many sources, including:

1.The movie games in LIKE ANNA KARINA’S SWEATER website
http://www.filmbrain.com/

2.An article about CLEO FROM 5 TO 7 in MEMORIES OF THE FUTURE blog, and the fact that Madonna was once to play the lead role in the remake of CLEO FROM 5 TO 7,
http://memoriesofthefuture.wordpress.com/2007/06/09/reflections/

3.A post in Matt Zoller Seitz’ blog about imaginary films
http://mattzollerseitz.blogspot.com/2007/01/5-for-day-wish-list_29.html

4.Reading about the film POOR LITTLE RICH GIRL (1965, Andy Warhol) in an article written by Graiwoot Chulphongsathorn in Bioscope Magazine (Thai)

5.AFTER HOURS (1985, Martin Scorsese)


--I wrote about some stupid imaginary films from time to time, but in Thai. This is the first time I wrote about it in details in English.

My stupid imaginary film this time is PARIS HILTON FROM DUSK TILL DAWN. It stars Paris Hilton. The film is twelve hour long and is divided into twelve parts; each part is an hour long and has three directors collaborating on it. So the whole film has 36 directors.

The film is in real time, similar to CLEO FROM 5 TO 7. The story of the film takes place from 18.00 hrs of one day to 06.00 hrs of the next day. The setting is in an anonymous town.

Below is the list of the 36 directors in roughly alphabetical order:

1.HERBERT ACHTERNBUSCH
2.KENNETH ANGER
3.ARTOUR ARISTAKISIAN
4.CHRISTOFFER BOE
5.CATHERINE BREILLAT
6.ISABEL COIXET
7.SOFIA COPPOLA
8.KHAVN DE LA CRUZ
9.CLAIRE DENIS
10.MARINA DE VAN
11.ATOM EGOYAN
12.ABEL FERRARA
13.PHILIPPE GRANDRIEUX
14.PETER GREENAWAY
15.WERNER HERZOG
16.ALEJANDRO JODOROWSKY
17.MIRANDA JULY
18.ILYA KHRJANOVSKY
19.ALEXANDER KLUGE
20.BRUCE LA BRUCE
21.RICHARD LINKLATER
22.DAVID LYNCH
23.NOBUHIKO OBAYASHI
24.NAGISA OSHIMA
25.CHRISTIAN PETZOLD
26.ALAIN ROBBE-GRILLET
27.JOAO PEDRO RODRIGUES
28.NICOLAS ROEG
29.RAOUL RUIZ
30.WERNER SCHROETER
31.ALEXANDER SOKUROV
32.BELA TARR
33.SAM TAYLOR-WOOD
34.JONATHAN TEPLITZKY
35.MONIKA TREUT
36.ANDRZEJ ZULAWSKI


CAN YOU GUESS WHICH DIRECTORS SHOULD BELONG TO WHICH PART BELOW? EACH PART HAS THREE DIRECTORS. Or after reading this, do you have any suggestions or want to share your imagination?


PART 1: 18.00-19.00 HRS

Paris has sex with a cute boy. After that they talk together while the cute boy prances around the room wearing only an underwear.



PART 2: 19.00-20.00 HRS

Paris goes shopping for new shoes with her so-called friends (starring Victoria Beckham, Heidi Klum, Lindsay Lohan, Britney Spears, the Olsen twins), then they have dinner together. They talk while eating, but everybody is telling a lie. The Olsen twins talk about cloning, believing there is a cloning pair of them living somewhere. Then all of Paris’ friends start talking about the truth that they are all lesbians.



PART 3: 20.00-21.00 HRS

Paris and her friends dress up in fancy and outrageous clothes to go to a fancy opening party of a painting exhibition. The exhibition has 92 paintings, and has an unseen guide leading the viewers to travel through time and space while watching the paintings.



PART 4: 21.00-22.00 HRS

After traveling through time and space, Paris emerges out of the exhibition alone, losing her memory. She can’t remember who she is. She wanders the street and makes a new friend with a female criminal and a woman who claims to be her long-lost mother. The three of them meet a handsome serial killer who is a puppeteer and they try to escape from him. They ask for help from some cops, but the cops are corrupted.



PART 5: 22.00-23.00 HRS

They try to escape the serial killer by hiding in a hospital, but the hospital is invaded by an angry mob. They then take a refuge in a dilapidated house full of squatters and beggars. Paris accidentally kills a baby by sitting on top of the baby. Paris also notices a handsome poor guy sleeping on the floor, so she (and the camera) spends some twenty minutes watching that guy sleeping.



PART 6: 23.00-24.00 HRS

Paris and her friends are thrown out of the house after someone discovers the accidental death of the baby. They feel very hungry and search for leftover food on the streets. A family invites them to have food, but only gives them soil to eat. A woman they meet on the street suggests they become cannibals. They try it. Another woman (Marina de Van) suggests each one eats her own self. They try it too and enjoy it.



PART 7: 24.00-01.00 HRS

The eat-yourself woman has two sisters (Diamanda Galas and PJ Harvey). The three sisters take Paris and her new friends to see some stage shows: an opera, a circus freak show, and a music show in which the singers just lying still on the floor.



PART 8: 01.00-02.00 HRS

Paris and all her new friends wander the street at night and have some adventures involving a woman who acts madly (Isabelle Adjani), a group of anarchist dwarfs, and a handsome trash collector dressed like a catwoman.



PART 9: 02.00-03.00 HRS

Paris and her friends feel sleepy. They find an empty house and try to get some sleep in it, not knowing that the house is cursed and haunted. The house is haunted by the spirit of a woman who died while waiting for her boyfriend who went to fight in WWII. The spirit is in the piano, changing the piano into a human-eating machine. Marina de Van gets great pleasure while being eaten by the piano. The criminal girl (Sabine Timoteo) uses some martial arts to fight the spirit, but loses the fight and gets eaten. The house is also the living place of the mummy of Queen Hatshepsut, though this mummy actually wants to go back to a museum, because she forgot her handbag there. This part of the film is told from the viewpoint of a knee belonging to a German corporal who died in Stalingrad.



PART 10: 03.00-04.00 HRS

After fighting with the evil sprit and the mummy and listening to many things told by the knee, Paris starts regaining her memory. She also gets to possess the memory of her ancestors and the memory of other persons. This part of the film is told by using a lot of flashbacks.



PART 11: 04:00-05.00 HRS

Knowing who she is, Paris wanders the street alone with self-confidence. She meets a shoe salesman (John Hawkes) who walks along the street with her. They take a morning train and talk with a guy (Ethan Hawke). Later, they get out of the train together and talk to a guy in a laundrette (Mark Ruffalo). Parish loves all these three guys. She feels so romantic. Love is in the air.



PART 12: 05.00-06.00 HRS

Her romantic hope is interrupted when John Hawkes, Ethan Hawke and Mark Ruffalo go to have sex together. Paris comes back home, but no one in her house remembers her. Her so-called friends also deny knowing her. Paris isn’t sure whether:

1.She is dreaming.

2.Everyone is lying and takes part in a conspiracy.

3.She is dead a long time ago.

4.She is a character in a novel written by her friend.

5.She is a part of a tale told by a patient in an insane asylum.

6.She is living in a memory of an old woman.


The answer is in the comment box.

Below are the photos of the THREE SISTERS in PARIS HILTON FROM DUSK TILL DAWN.






5 comments:

celinejulie said...

PART 1: 18.00-19.00 HRS

Paris has sex with a cute boy. After that they talk together while the cute boy prances around the room wearing only an underwear.

NAGISA OSHIMA
CATHERINE BREILLAT
JONATHAN TEPLITZKY


PART 2: 19.00-20.00 HRS

Paris goes shopping for new shoes with her so-called friends (starring Victoria Beckham, Heidi Klum, Lindsay Lohan, Britney Spears, the Olsen twins), then they have dinner together. They talk while eating, but everybody is telling a lie. The Olsen twins talk about cloning, believing there is a cloning pair of them living somewhere. Then all of Paris’ friends start talking about the truth that they are all lesbians.

SOFIA COPPOLA
ILYA KHRJANOVSKY
MONIKA TREUT


PART 3: 20.00-21.00 HRS

Paris and her friends dress up in fancy and outrageous clothes to go to a fancy opening party of a painting exhibition. The exhibition has 92 paintings, and has an unseen guide leading the viewers to travel through time and space while watching the paintings.

KENNETH ANGER
PETER GREENAWAY
ALEXANDER SOKUROV


PART 4: 21.00-22.00 HRS

After traveling through time and space, Paris emerges out of the exhibition alone, losing her memory. She can’t remember who she is. She wanders the street and makes a new friend with a female criminal and a woman who claims to be her long-lost mother. The three of them meet a handsome serial killer who is a puppeteer and they try to escape from him. They ask for help from some cops, but the cops are corrupted.

CHRISTIAN PETZOLD
PHILIPPE GRANDRIEUX
ABEL FERRARA


PART 5: 22.00-23.00 HRS

They try to escape the serial killer by hiding in a hospital, but the hospital is invaded by an angry mob. They then take a refuge in a dilapidated house full of squatters and beggars. Paris accidentally kills a baby by sitting on top of the baby. Paris also notices a handsome poor guy sleeping on the floor, so she (and the camera) spends some twenty minutes watching that guy sleeping.

BELA TARR
ARTOUR ARISTAKISIAN
SAM TAYLOR-WOOD


PART 6: 23.00-24.00 HRS

Paris and her friends are thrown out of the house after someone discovers the accidental death of the baby. They feel very hungry and search for leftover food on the streets. A family invites them to have food, but only gives them soil to eat. A woman they meet on the street suggests they become cannibals. They try it. Another woman (Marina de Van) suggests each one eats her own self. They try it too and enjoy it.

KHAVN DE LA CRUZ
CLAIRE DENIS
MARINA DE VAN


PART 7: 24.00-01.00 HRS

The eat-yourself woman has two sisters (Diamanda Galas and PJ Harvey). The three sisters take Paris and her new friends to see some stage shows: an opera, a circus freak show, and a music show in which the singers just lying still on the floor.

WERNER SCHROETER
ALEJANDRO JODOROWSKY
DAVID LYNCH


PART 8: 01.00-02.00 HRS

Paris and all her new friends wander the street at night and have some adventures involving a woman who acts madly (Isabelle Adjani), a group of anarchist dwarfs, and a handsome trash collector dressed like a catwoman.

ANDRZEJ ZULAWSKI
WERNER HERZOG
JOAO PEDRO RODRIGUES


PART 9: 02.00-03.00 HRS

Paris and her friends feel sleepy. They find an empty house and try to get some sleep in it, not knowing that the house is cursed and haunted. The house is haunted by the spirit of a woman who died while waiting for her boyfriend who went to fight in WWII. The spirit is in the piano, changing the piano into a human-eating machine. Marina de Van gets great pleasure while being eaten by the piano. The criminal girl (Sabine Timoteo) uses some martial arts to fight the spirit, but loses the fight and gets eaten. The house is also the living place of the mummy of Queen Hatshepsut, though this mummy actually wants to go back to a museum, because she forgot her handbag there. This part of the film is told from the viewpoint of a knee belonging to a German corporal who died in Stalingrad.

NOBUHIKO OBAYASHI
HERBERT ACHTERNBUSCH
ALEXANDER KLUGE


PART 10: 03.00-04.00 HRS

After fighting with the evil sprit and the mummy and listening to many things told by the knee, Paris starts regaining her memory. She also gets to possess the memory of her ancestors and the memory of other persons. This part of the film is told by using a lot of flashbacks.

RAOUL RUIZ
ATOM EGOYAN
NICOLAS ROEG


PART 11: 04:00-05.00 HRS

Knowing who she is, Paris wanders the street alone with self-confidence. She meets a shoe salesman (John Hawkes) who walks along the street with her. They take a morning train and talk with a guy (Ethan Hawke). Later, they get out of the train together and talk to a guy in a laundrette (Mark Ruffalo). Parish loves all these three guys. She feels so romantic. Love is in the air.

MIRANDA JULY
RICHARD LINKLATER
ISABEL COIXET


PART 12: 05.00-06.00 HRS

Her romantic hope is interrupted when John Hawkes, Ethan Hawke and Mark Ruffalo go to have sex together. Paris comes back home, but no one in her house remembers her. Her so-called friends also deny knowing her. Paris isn’t sure whether:

1.She is dreaming.

2.Everyone is lying and takes part in a conspiracy.

3.She is dead a long time ago.

4.She is a character in a novel written by her friend.

5.She is a part of a tale told by a patient in an insane asylum.

6.She is living in a memory of an old woman.

BRUCE LA BRUCE
CHRISTOFFER BOE
ALAIN ROBBE-GRILLET

Anonymous said...

There is more fact that I didn’t write clearly in the article (because space shortage). As I researched (I haven’t seen this film because it’s so hard to find, even in America), In Poor Little Rich Girl, Andy Warhol used 2 types of texture. The first half of the movie is filmed with an out of focus camera, so everything is blurred and surreal glamorous. The second half is filmed with focus camera, so the picture is sharp. But whether blur or sharp, this girl (miss Edie) didn’t do anything at all. What a poor little rich girl. Ha ha ha.

By the way, your story is superb.

celinejulie said...

Thank u very much for your information, Tete.

Talking about the blurred and the sharp picture, it reminds me of one scene in the Italian film FIRST LOVE (2004, Matteo Garrone, A). This scene is very strange, because the landscape in the background is in focus, while the close-up faces of the two main characters are blurred. The characters are talking about the separation between minds and bodies, and losing weight, or something like that. I can’t recall if I have ever seen any other scene like this. In most scenes in any movies, the faces of the characters are in focus, while the landscape in the background is blurred.

celinejulie said...

--I think I forgot to write the word “other” in the first sentence of this post. So this is the corrected version of the first sentence:

"Hi, Maya, I also like BIG BANG LOVE, JUVENILE A a lot. It is crazy. I don’t understand anything in it. As for Takashi Miike’s OTHER films, I have seen only six of them. This is the list in my preferential order:"

--If I have to compare my fondness for BIG BANG LOVE, JUVENILE A with other films by Miike, I think I like it the second most, less than IMPRINT, but more than ONE MISSED CALL.

I think IMPRINT is too cruel for me, but I like its storytelling structure.

celinejulie said...

This is my reply to Jesse’s comment in my wordpress.blog:

http://celinejulie.wordpress.com/2007/06/24/paris-hilton-from-dusk-till-dawn/

Hi Jesse

I’m very glad I can make you laugh. Yes, the first segment sounds like A BOUT DE SOUFFLE. In that film, I like the scene when they talked in the bedroom very much.

Actually, when I started conceiving this imaginary film, the first segment was only about sex. And the three directors I had in my mind were Oshima, Breillat and Kim Ki-duk. Later, I just thought about the film BETTER THAN SEX (2000, Jonathan Teplitzky, A+), in which David Wenham looked so handsome. So I deleted Kim Ki-duk, added Jonathan Teplitzky into the director list, and added the talking part into the plot.

As for the last segment, what I had in my mind at first was like this:

Paris loves these three guys very much, but her romantic hope is destroyed suddenly, and her life meets some drastic changes.

MICHAEL HANEKE
TAKASHI MIIKE
CLAUDE CHABROL (or maybe CARLOS REYGADAS)

I thought the film would be very interesting because the segment before that was like BEFORE SUNRISE, but the ending was like Haneke’s, Miike’s, or Chabrol’s films. But later I had a pity on Paris Hilton’s character. So I spared her these three directors, and chose Bruce La Bruce, Christoffer Boe (RECONSTRUCTION), and Alain Robbe-Grillet instead. Hahaha.

--I like imaginary films. I also like what you wrote about your greenlight projects in Rotten Tomatoes, though I have never read any books you mentioned below, except a novel by Woolf (TO THE LIGHTHOUSE):

http://www.rottentomatoes.com/vine/journal_view.php?journalid=29715&entryid=383484&view=public


”11. You are given the power to greenlight movies at a major studio for one year. How do you wield this power?

Hmmm… I think I’d greenlight a bunch of literary adaptations, but get visionary directors to do them, and see what happens. I’d love to see a Woolf adaptation helmed by Claire Denis, Duras’s L’Amant by Wong Kar-Wai, Richard Linklater’s take on Franny and Zooey (though Wes Anderson would be tempting, of course, but give him something by Fitzgerald instead), The Bell Jar or The Awakening by Sophia Coppola, Arnaud Desplachin’s adaptation of White Teeth, The City and the Pillar taken on by Francois Ozon (well, that’s an obvious one)—that kind of thing.”