Tuesday, February 13, 2007

A LIST FROM SENSES OF CINEMA

Copy from screenout webboard

ดูรูปประกอบของความเห็นนี้ได้ที่
http://xq28.net/s/viewtopic.php?t=3437&start=4200


SENSES OF CINEMA ตีพิมพ์โพลล์หนังโปรดของผู้อ่านประจำปี 2006 แล้วค่ะ หนังเรื่อง SYNDROMES AND A CENTURY ติดอันดับหนังโปรดของผู้อ่านหลายๆคนเลยด้วย น่าดีใจจริงๆ
http://www.sensesofcinema.com

นอกจากนี้ หนังเรื่อง BANGKOK IN THE EVENING ของสมพจน์ ชิตเกษรพงศ์ ยังติดอันดับหนังในดวงใจของ ALEXIS A. TIOSECO นักวิจารณ์ภาพยนตร์จากฟิลิปปินส์

ดูอันดับของ ALEXIS A. TIOSECO ได้ที่นี่
http://www.sensesofcinema.com/contents/07/42/2006-world-poll-3.html#Tioseco


ส่วนอันดับหนังที่ตรงกับใจของดิฉัน อ่านได้ที่นี่ค่ะ
http://www.sensesofcinema.com/contents/07/42/2006-world-poll-3.html#Phokaew


Favourite films:

1. Anat(t)a (Akritchalerm Kalayanamitr and Koichi Shimizu, 2006)

Anat(t)a is a video-and-audio installation conceived by Akritchalerm and Shimizu. The video lasts about 50 minutes and shows many serenely beautiful scenes in Bangkok. The video has no story and is extremely slow. However, the more important part of this installation is the audio, because each viewer can choose randomly which sound effects he or she would like to add to the soundtrack. Inside the gallery showing this video, there are about 50 buttons hung from the roof in front of the giant screen. Each button represents a kind of sound effects, such as the sound of dog barking, of motorcycle screeching, of firecracker exploding, etc. When a viewer pushes a button, the sound effect of that button will be mixed into the soundtrack immediately by a special computer program. Thus, the soundtrack of this video installation keeps changing every time any button is pushed, and the soundtrack together with the atmospheric video really inspires you to create a story in your mind. Thus, I guess that’s the meaning of the title of this installation. It comes from two words: ‘anatta’, which means no-self, and ‘anata’, a Japanese word which means ‘you’. It’s ‘you’, each viewer, who can provide the story to the plotless video. Before making this transcendental video installation, Akritchalerm worked in the sound department for Apichatpong Weerasethakul’s films, while Shimizu worked as a producer for many Thai indie bands. You can listen to his music in his blog (http://www.myspace.com/eastablishrec2), and you will get an idea how inspiring and entrancing his music is.

2. Obaba (Montxo Armendariz, 2005)

3. Wolf Creek (Greg McLean, 2005)

4. Capote (Bennett Miller, 2005)

5. Sophie Scholl- Die letzten Tage (Sophie Scholl: The Final Days, Marc Rothemund, 2005)

6. Solntse (The Sun, Aleksandr Sokurov, 2004)
http://i60.photobucket.com/albums/h5/barksbookmarks/ilsole.jpg

7. Something More Than Night (Daniel Eisenberg, 2003)
http://www.fdk-berlin.de/forumarchiv/forum2003/filme/bild/something_more.jpg

8. Strong Shoulders (Ursula Meier, 2003)
http://www.cinergie.be/cinergie/revue67/epaules.jpg

9. 1/3 des yeux (1/3 of the Eyes, Olivier Zabat, 2004)
http://www.capricci.fr/untiersdesyeux/img/affiche.jpg

10. Blue Moon (Andrea Maria Dusl, 2002)
http://bureau.comandantina.com/archivos/BM-Viktoria-Malektorovych-Blau.jpg

โฉมหน้าของผู้กำกับ
http://bureau.comandantina.com/archivos/Andrea-Maria-Dusl-Akademie.jpg

11. Papa (Maurice Barthelemy, 2005)
http://img.clubic.com/photo/00208415.jpg

12. Bashing (Masahiro Kobayashi, 2005)

13. Bye Bye Blackbird (Robinson Savary, 2005)
http://farm1.static.flickr.com/142/389081768_f4631d6619_b.jpg

14. Umoregi (The Buried Forest, Kohei Oguri, 2005)

15. Piscine (Jean-Baptiste Bruant and Maria Spangaro, 2002)

อันนี้เป็นปกผลงานซีดีคู่ของ JEAN-BAPTISTE BRUANT + MARIA SPANGARO
http://www.lespressesdureel.com/images/dispositif.jpg
http://www.lespressesdureel.com/EN/ouvrage.php?menu=0&id=609
Double compact disc to be heard in parallel

16. Kombi Nation (Grant Lahood, 2003)

17. Kazuo Umezu’s Horror Theater: Diet (Tadafumi Ito, 2005)

18. Kochankowie z Marony (The Lovers of Marona, Izabella Cywinska, 2005)
http://images.gildia.pl/_n_/film/filmy/kochankowie_z_marony/poster-640.jpg
http://www.filmpolski.pl/z1/66z/14866_29.jpg
http://www.filmpolski.pl/z1/66z/14866_12.jpg
http://www.filmpolski.pl/z1/66z/14866_37.jpg
http://www.filmpolski.pl/z1/66z/14866_22.jpg

KAROLINA GRUSZKA (1980) นางเอกของ THE LOVERS OF MARONA ได้แสดงใน INLAND EMPIRE ของ DAVID LYNCH ด้วย

รูปของ KAROLINA GRUSZKA ใน KEEP AWAY FROM THE WINDOW (2000, JAN JAKUB KOLSKI)
http://senya.100freemb.com/karolina-gruszka_daleko-od-okna.jpg

19. Peindre ou faire l’amour (To Paint or Make Love, Arnaud Larrieu and Jean-Marie Larrieu, 2005)

20. Ae Fond Kiss... (Ken Loach, 2004)



Favourite short films:

1. The Boy from Mars (Philippe Parreno, 2003)

2. What Happened to Magdalena Jung? (Christoph Schlingensief, 1983)

3. Nirvana (Szuper Gallery, 2002)

4. Jane (Tania Sng, 2006)

5. Matthaus Passion: New Generation Remix (Gerald Van Der Kaap, 2003)

6. Say Hello to Peace and Tranquility (Dagmar Keller and Martin Wittwer, 2001)

7. La Peur, petit chasseur (Fear, Little Hunter, Laurent Achard, 2004)

อันนี้เป็นภาพจากภาพยนตร์เรื่อง DEMENTED (2006) ที่กำกับโดย LAURENT ACHARD เหมือนกัน
http://farm1.static.flickr.com/163/389100138_e7257b4ad6_b.jpg
http://farm1.static.flickr.com/129/389100136_82d2582286_b.jpg
http://farm1.static.flickr.com/188/389100130_a51706d096_b.jpg
http://farm1.static.flickr.com/144/389100129_05723202aa_b.jpg
http://farm1.static.flickr.com/130/389100125_4a9db6653d_b.jpg
http://farm1.static.flickr.com/156/389100121_3c8974837f_b.jpg

8. After All (Volker Eichelmann and Roland Rust, 2002)

9. Pugilist Series 449 (Alex Davies, 2006)

10. No Day Off (Eric Khoo, 2006)



Favourite Thai films:

1. Kiad (Silence Will Speak, Punlop Horharin, 2006)

2. Gang chanee kap ee-aep (Metrosexual, Yongyoot Thongkongtoon, 2006)

3. The Insane (Araya Rasdjarmrearnsook, 2006)

4. Patterns of Transcendence (Jakrawal Nilthamrong, 2006)

5. Sleeping Beauty (Chulyanon Siriphol, 2006)

6. Hero (Thaweesak Srithongdee, 2006)

7. Invisible Waves (Pen-ek Ratanaruang, 2006)

8. Lokparach (Weirdrosopher World, Nontawat Numbenchapol and Rthit Phannikul, 2005-2006)

9. Colic: dek hen pee (Patchanon Thammajira, 2006)

10. Phii khon pen (The Victim, Monthon Arayangkoon, 2006)



Favourite Thai short films:

1. Life Is Short 2 (Tossapol Boonsinsukh, 2006)

2. Nang “Phii”: 16 Pee Hang Kwam Lung (The Spectre: 16 Years Later, Prap Boonpan, 2006)

3. Ghosts (Anocha Suwichakornpong, 2005)

4. Og Tawan Tog Tawan (Rise Son, Visra Vichit-Vadakan, 2006)

5. Fun Riem (Laddawan Subpeng, 2006)

6. Lung Tee Song (Other Home, Anchalee Thaingamsin and Puntaree Boonrat, 2006)

7. Galapawasarn (The Long Silence, Suchart Sawasdsri, 2006)

8. Desire (Chanognun Tiraganchana, 2006)

9. Muang Ake 1579 (Seri Lachonabot, 2006)

10. Samunchon (The Portrait of a Young Man, Manussa Vorasingha, 2006)



Favourite documentaries:

1. Fussball wie noch nie (Soccer As Never Before, Hellmuth Costard, 1971)

2. Dial H-I-S-T-O-R-Y (Johan Grimonprez, 1998)

รูปนี้มาจากภาพยนตร์เรื่อง LOOKING FOR ALFRED ของ JOHAN GRIMONPREZ
http://detox.no/images2/grimon_birdgirl.jpg
http://detox.no/images2/grimonprez_42.jpg

รายละเอียดของภาพยนตร์เรื่อง LOOKING FOR ALFRED
http://detox.no/index.php?vis=11&idk=29


3. Koenig’s Sphere (Percy Adlon, 2003)

4. L’Accord (The Accord, Beatrice Guelpa and Nicolas Wadimoff, 2005)
http://www.solaris-distribution.com/L_ACCORD/GuelpaWadimoff.jpg


5. Minamata: Kanja-san to sono sekai (Minamata: The Victims and Their World, Noriaki Tsuchimoto, 1972)

6. Die Champions (The Champions, Christoph Huebner, 2003)

7. Men of Gold (Vincent Moloi, 2006)

8. Yan mo (Before the Flood, Li Yifan and Yan Yu, 2005)
http://www.fdk-berlin.de/uploads/pics/3397_yan_mo.jpg
http://farm1.static.flickr.com/133/389111293_4a26b0f8b6_b.jpg

9. Out of Place: Memories of Edward Said (Makoto Sato, 2005)
http://www.duke.edu/web/film/screensociety/PAL_EdwardSaid.jpg

10. The Last Rice Farmer (Yen Lan-chuan and Juang Yi-tseng, 2005)



Favourite animations:

1. Untitled (A Different Time) (Helen Fletcher, 2004)

2. Cherchez la femme (Daniel Hopfner, 2002)

3. The History of the World - Episode 16: The Invention of Writing and its Destruction (Phil Mulloy, 1994)

4. After (Kim Noce, 2005)
http://www.filmfestival.dk/Webnodes/cache/filmfestival.dk/image_1662_da-scale_387-quality_40-quality_60.JPG

5. Tales of Mere Existence (Lev, 1999)
http://www.ingredientx.com/watch/tales/therapist.jpg
http://www.ingredientx.com/watch/tales/shittycartoon.jpg
http://www.ingredientx.com/watch/tales/firstday.jpg

6. Continue (Chawit Waewsawangwong, 2006)

7. Hoodwinked! (Cory Edwards, 2005)

8. Obras (Hendrick Dusollier, 2004)
http://www.filmski.net/slike/slike/news02/13/najveci-ins.jpg

9. Nuad (Massage, Thawatpong Tangsajjapoj, 2005)

10. Mother Tongue (Susan Kim, 2002)
http://www.afc.gov.au/images/puffs/mother_tongue.jpg
http://www.asiancinevision.org/05_06NationalTour/05Tour_photos/MotherTongue_web.jpg



Two interesting cinematic trends in 2006:

1. It’s the year of Thai video art.

Thai video art and video installations flourished in 2006, and they are as sublime and challenging as the best of Thai films. Apart from Anat(t)a, The Insane, Hero, Desire, and Continue in the lists above, very impressive Thai video art in 2006 include Fantasmagorie (Surachai Pattanakijpaibool, 2004), Tee Wang (Space, Sathit Sattarasart, 2005), Nang Kwak: Equal Opportunity? (Sakarin Krue-on and Michael Shaowanasai, 2006), Dotscape (Sutthirat Supaparinya, 2005), and Rice/Life Ever-Presence (Montri Toemsombat, 2006).


2. It’s the year of ‘Cinema of No Mercy’.

Kent Jones said in his Film Comment article (http://filmlinc.com/fcm/ja06/cannesplus.htm) that torture was a big item in 2006’s Cannes crop. I think he is very right, though I haven’t seen many films from Cannes yet. Cinema I saw in 2006 is full of unforgettable images or stories of extreme suffering or merciless people. As for physical cruelty, the most unforgettable scenes include scenes of torture in Flandres (Bruno Dumont, 2006), The Wind That Shakes the Barley (Ken Loach, 2006), Casino Royale (Martin Campbell, 2006), and “Masters of Horror”: Imprint (Takashi Miike, 2006). The painful scenes or stories also include: the hilarious collective vengeance in Chinjeolhan Geumjassi (Sympathy for Lady Vengeance, Park Chan-wook, 2005), the collective murder in The Wicker Man (Neil LaBute, 2006) and La Monja (The Nun, Luis De La Madrid, 2005), the ‘invisible’ beating in Karov La Bayit (Close to Home, Vidi Bilu and Dalia Hagar, 2005), the near-lynching in Cronicas (Sebastian Cordero, 2003), the spousal abuse in Yeonae (Love is a Crazy Thing, Oh Seok-geun, 2005), the sexual abuse man did to woman in Ammahit Pissawas (The Passion, Saranyu Wongkrajang, 2006), woman did to man in Go West (Ahmed Imamovic, 2005), and man did to man in Omiros (Hostage, Constantine Giannaris, 2005), the organ chopping in The Prestige (Christopher Nolan, 2006), the extreme punishment in Wang-ui namja (The King and the Clown, Lee Jun-ik, 2005), the dog killing in Is It Easy to Kill/Pray? (Sherman Ong, 2005), the excrement eating in 13 game sayawng (13 Beloved, Chookiat Sakvirakul, 2006), the tar-and-feathers attack in TV series "Carnivale" (2005), and the abuse of children in Running Scared (Wayne Kramer, 2006), Voces inocentes (Innocent Voices, Luis Mandoki, 2004), Golemata voda (The Great Water, Ivo Trajkov, 2004), Water (Deepa Mehta, 2005), and Once You’re Born You Can No Longer Hide ( Marco Tullio Giordana, 2005). As for emotional cruelty, the most unforgettable parts include the zoo scene in Happy Feet (George Miller, 2006), the saxophone prohibition in The Lost City (Andy Garcia, 2005), a middle-aged woman applying for a job in Work Hard, Play Hard (Jean-Marc Moutout, 2003), the people’s indifference to someone in danger in Viva Algeri ( Nadir Mokneche, 2004), and the ostracism of AIDS patients shown directly in My Brother…Nikhil (Onir, 2005) and told verbally in Heaven’s Meadow (Detlev F. Neufert, 2005). Watching all these scenes gives me the same feeling that I have when I read newspaper. It’s the feeling that the world might be turning into hell.


Guilty Pleasures:

Pilbara Pearl (Christopher Watson, 1998), Kogitsune Helen (Helen the Baby Fox, Keita Kono, 2005), Hexagon (Kyi Soe Tun, 2006), Mano (George Felner, 2005), “Masters of Horror”: Pick Me Up (Larry Cohen, 2006).


ดูอันดับหนังประจำปี 2005 ของคนนี้ได้ที่
http://www.sensesofcinema.com/contents/06/38/world_poll3.html#Phokaew

อันดับประจำปี 2004
http://www.sensesofcinema.com/contents/05/34/world_poll3.html#phokaew

อันดับประจำปี 2003
http://www.sensesofcinema.com/contents/04/30/favourites3.html#phokaew

อันดับประจำปี 2002
http://www.sensesofcinema.com/contents/03/24/favourites3.html#phokaew

อันดับประจำปี 2001
http://www.sensesofcinema.com/contents/01/18/favourite2.html#phokaew

อันดับหนังที่กำกับโดยผู้หญิง
http://www.sensesofcinema.com/contents/top_tens/womens.html#phok

อันดับหนังตลอดกาลที่ทำในปี 2000
http://www.sensesofcinema.com/contents/top_tens/archive00.html#phokaew


ข่าวน่าสนใจจาก IMDB.COM

Christian Activists Campaign Against Yet-Unfinished Movie

The upcoming indie movie Breakfast With Scot (2007 Laurie Lynd), which tells the story of two gay men -- one of whom is a member of the Toronto Maple Leafs hockey team -- who are raising an eccentric 11-year-old boy, is already arousing controversy even before its release, the Los Angeles Times reported Sunday. Bernadette Mansur, the NHL's senior vice president for communications, indicated that the protests are being spearheaded by Christian activist James Hartline, who claims to be a former homosexual. Although he has not seen the movie, he has called it "degrading" and accused the NHL of "promoting homosexualization of small children" and "becoming a willing partner with the fringe elements of the radicalized homosexual agenda and their ultimate goal of worldwide sexual anarchy." In Canada itself, Brian Rushfeldt of Canada Family Action Coalition charged that the Maple Leafs are "underwriting homosexuality. ... I don't think it does much for the image of the NHL amongst families who may want their children involved in hockey." Mansur insisted, however, that the NFL "didn't intend to make a statement one way or another about homosexuals" and that the film merely tells "a story of a contemporary American family that exists today

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