FAVORITE FILMS WITH MULTI-PROTAGONISTS OR SOMETHING LIKE THAT

FAVORITE FILMS WITH MULTI-PROTAGONISTS OR SOMETHING LIKE THAT

A friend asked me to make a list of this kind of films. So I made this list for him. This list excludes documentaries, Robert Altman’s films, and films that my friend knows very well already, such as LOVE SYNDROME (2013, Pantham Thongsang), PULP FICTION, RULES OF THE GAME, etc.

(in alphabetical order)

1.     THE AGE OF POSSIBILITY (1995, Pascale Ferran, France)

2.     ALMOST PEACEFUL (2002, Michel Deville, France)

3.     AM I BEAUTIFUL? (1998, Doris Dörrie, Germany)

4.     LE AMICHE (1955, Michelangelo Antonioni, Italy)

5.     THE BARBECUE PEOPLE (2003, Yossi Madmoni + David Ofek, Israel)

6.     BOYS IN THE BAND ฉันผู้ชายนะยะ (1987, M.L. Bhandevanop Devakul)

7.     BRIGHT YOUNG THINGS (2003, Stephen Fry, UK)

8.     BUTTONERS (1997, Petr Zelenka, Czech)

9.     THE CIRCLE (2000, Jafar Panahi, Iran)

10.                        A CONFUCIAN CONFUSION (1994, Edward Yang, Taiwan)

11.                        COWS (1992, Julio Medem, Spain)

12.                        DAYS AND NIGHTS IN THE FOREST (1970, Satyajit Ray, India)

13.                        THE DEAD GIRL (2006, Karen Moncrieff, USA)

14.                        DOG DAYS (2001, Ulrich Seidl, Austria)

15.                        DYING AT A HOSPITAL (1993, Jun Ichikawa, Japan)

16.                        EXOTICA (1994, Atom Egoyan, Canada)

17.                        FREE RADICALS (2003, Barbara Albert, Austria)

18.                        FULL FRONTAL (2002, Steven Soderbergh, USA)

19.                        HEXAGON (2006, Kyi Soe Tun, Myanmar)

20.                        HOW TO MAKE AN AMERICAN QUILT (1995, Jocelyn Moorhouse, USA)

21.                        HUKKLE (2002, György Pálfi, Hungary)

22.                        JONAH WHO WILL BE 25 IN THE YEAR 2000 (1976, Alain Tanner, Switzerland)

23.                        THE JOY LUCK CLUB (1993, Wayne Wang, USA)

24.                        JULIA’S DISAPPEARANCE (2009, Christoph Schaub, Switzerland)

25.                        LANTANA (2001, Ray Lawrence, Australia)

26.                        LAST NIGHT (1998, Don McKellar, Canada)

27.                        THE LAST UNIVERSITY มหาลัยหลังเขา (2013, Worachet Bunpasukprasong)

28.                        LATE AUGUST, EARLY SEPTEMBER (1998, Olivier Assayas, France)

29.                        LONG TIME COMPANION (1989, Norman René, USA)

30.                        THE LOVE MACHINE (2000, Gordon Eriksen, USA)

31.                        MAL (1999, Alberto Seixas Santos, Portugal)

32.                        MY SEX LIFE…OR HOW I GOT INTO AN ARGUMENT (1996, Arnaud Desplechin, France)

33.                        9-9-81 (2012, Suthat Phawilairat, Pitak Ruangrojsin, Adirek Photong, Siriphon Prasatthong, Oliver Wolfson, Seri Lachonnabot, Nuttorn Kungwanklai, Thanyawan Hempanom, Pirun Anusuriya, Rapeepimol Chaisena, Disspong Sampattavanich, Kiattisak Wibunchat)

34.                        OBABA (2005, Montxo Armendariz, Spain)

35.                        OF HORSES AND MEN (2013, Benedikt Erlingsson, Iceland)

36.                        OUR HAPPY LIVES (1999, Jacques Maillot, France)

37.                        PORTRAIT OF THE UNIVERSE (2012, Napat Treepalawisetkun)

38.                        THE PROUD ONES (1980, Claude Chabrol, France)

39.                        QUIET DAYS IN HOLLYWOOD (1997, Josef Rusnak, USA)

40.                        RELATIVITY PLUS QUANTUM (2005, Zart Tancharoen)

41.                        ROSSINI (1997, Helmut Dietl, Germany)

42.                        SALTIMBANK (2003, Jean-Claude Biette, France)

43.                        SOMEONE TO LOVE (1987, Henry Jaglom, USA)

44.                        THE SPANISH APARTMENT (2002, Cédric Klapisch, France)

45.                        STANG สตางค์ (2000, Bundit Rittakol)

46.                        STOCKHOLM STORIES (2013, Karin Fahlén, Sweden)

47.                        THE THIN RED LINE (1998, Terrence Malick, USA)

48.                        TIMECODE (2000, Mike Figgis, USA)

49.                        TO DIE (OR NOT) (2000, Ventura Pons, Spain)

50.                        THE WILD BEES (2001, Bohdan Sláma, Czech)

51.                        THE WITNESSES (2007, André Téchiné, France)

52.                        WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN (1988, Pedro Almodóvar, Spain)

53.                        WORKING GIRLS (1984, Ishmael Bernal, Philippines)

54.                        WRONG MOVE (1975, Wim Wenders, West Germany)

รูปมาจาก “มหาลัยหลังเขา” ที่จะฉายในงาน Filmvirus Wildtype วันเสาร์ที่ 30 พ.ค. 2015